Pál Mihály

At a dusty crossroads in the Soviet Union villagers surrender their possessions - a horse, a samovar, a goat - to the state. The train which takes them away brings to the village a physically and mentally handicapped woman, barely able to speak. She makes herself bracelets of burrs and studies herself in a cracked and cloudy mirror. Befriended by very few, teased and tormented by many she seeks protection at a huge portrait of Stalin.

In 1940 Budapest, a successful doctor leads a perfect life, unaware that his wife and his adopted son are planning to run away together.

The aging Eszter clarify outstanding relationship.

The film has a broken meaning, the last time he was a proofreader for a book publisher, he is now unemployed. Ever since he was a child, he has always been the one who pulls the short one, and he takes the wrong one. At the beginning of the film, he finds himself in such a "bunbak" situation again, and then he decides to become a professional bunbak...