Jean-Marie Buchet

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Vivement ce soir
5.3

Vivement ce soir

Jan 01, 1985
Dans une grande surface de la capitale belge, son directeur est quelque peu angoissé: en effet, il attend pour le soir même une délégation commerciale russe pour laquelle il devra expliquer le fonctionnement d'une grande surface occidentale. Dès lors, il inspecte les lieux et tente de rectifier les différents problèmes qui se présentent dans son magasin. Il est aussi amoureux et ses émotions ainsi diversifiées, contribuent à sa nervosité. En attente de la fameuse soirée, le film montre différentes mini-aventures et historiettes qui se passent dans le magasin, aussi bien au niveau du comportement des clients que du personnel.
Comedy
Mes entretiens filmés
3.2
This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many other visionaries and mavericks of the silver screen – as well as a book seller, a critic and a psychoanalyst – discuss what cinema has meant to them, what it is and what it could be and, implicitly, how it has changed over the 18 years in which this film was shot. Director Boris Lehman leads the charge, drawing in moments of absurdist humour and inventive camera work; he keeps things raw and spontaneous. His encounters with the now much-missed Jean Rouch and Stephen Dwoskin are particularly touching and stand testament to their personal playfulness and candour. An engaging, absorbing, epic odyssey of a movie.
Documentary
Grève et pets
1

Grève et pets

Jan 01, 1975
« Babylonesque fresque sur «une friponne insurrection dont l’objectif est l’abolition du prolétariat et l’avènement du plaisir généralis». Une séquence, montrant l’empalement du roi Baudouin sur son sabre d’apparat, vaudra à ce brûlot de longs et ubuesques embrouillaminis avec la censure. » Jean-Pierre Bouyxou
Comedy
Jean-Gina B.
1

Jean-Gina B.

Jan 01, 1984
This film is based on the true story of Jean Bella, who served as an officer in the Belgian Marine while being convinced, from an early age, that he was in fact a woman. Director Jean-Pol Ferbus follows Jean Bella and makes him talk about his life, psychological and spiritual experiences and reveals the true poet who remained undisclosed for most of this person's life. The film ultimately isn't about transexuality but about loneliness one can experience when he/she feels very deeply that she/he belongs to the two sexes and this in a deep, almost religious, fashion, to such an extent that sexuality itself is being erased from one's life. Jean-Gina Bella is a woman in the body of a man who bravely lived a life on the sea, eventually fighting the elements, talking to God when lost on the immense solitary ocean. This testimony is a very touching and poetic one.
Documentary
Le dernier chant d'amour de Marylin
1
Marilyn’s shine flickering into your eyes, Marilyn’s mind melting into your mind, Marilyn’s heart beating inside of your chest,…if you so wish. – R.L.Before you start the film please light a candle and after stopping the film, please blow it out. Should the candle accidentally stop burning, do not light it anew: it means that the performance is over.
Pierre
1

Pierre

Jan 01, 1977
Pierre lives with his mother in an antiquated house in a run-down working-class area. Every morning, Pierre takes the tram to his job at the town hall, where he listens to his colleagues' jokes over the lunch break. His only hope of banishing his boredom and frustration is a girl from the gymnastics club. One evening, when his mother is out of the house, he decides to invite her into his home [Avila].
Drama
Bruno, l'enfant du dimanche
1
The weekend of August 15th gives the opportunity to Michel Fauvet, a recently divorced father, to spend two full days with Bruno, his thirteen-year-old son, that he can normally see only one Sunday a month. Feeling guilty, he tries to compensate for the trauma inflicted to Bruno by giving him presents. This time around, Michel has decided to treat him to a nice trip to Bruges and the Belgian Coast. Which will not prevent Bruno from asking his father disturbing questions.
Drama
La fugue de Suzanne
5

La fugue de Suzanne

Jan 01, 1974
Suzanne has had enough of her boyfriend Albert. The drama unfolds in fifteen tableaux, in which she goes over to Albert's friend Emile. Still, these romantic worries go hand in hand with insatiable boredom.
Drama
La tête froide
2

La tête froide

May 01, 1970
Shots of a car speeding down the road are intercut with kinky sex flashes (a woman with a whip rides a guy, for instance). Then the car crashes into a tree, the male driver (Christian Chaix) is decapitated and the bloody, injured female (Marie-Paule Mailleux) scoops up his head and returns to her home. There, she cleans herself and the head off, prepares dinner for herself and the head, buys the head a Ken Doll to keep it company, puts the head on a mannequin's body and then has a series of strange hallucinations, which include having sex with her bloodied lover, dancing in a room by herself with a spotlight, etc. Things culminate in her having sex with the head and then throwing it into the trash bin.
Horror
Le sexe enragé
5.5

Le sexe enragé

Sep 16, 1970
A bourgeoisie client is transformed into a mouse and cannibalized by a prostitute in flagrante delicto with the camera changing focus in time to her breathing.
La fugue de Suzanne
5

La fugue de Suzanne

Jan 01, 1974
Suzanne has had enough of her boyfriend Albert. The drama unfolds in fifteen tableaux, in which she goes over to Albert's friend Emile. Still, these romantic worries go hand in hand with insatiable boredom.
Drama
Je t'aime
1

Je t'aime

Jan 01, 1961
Short film with hitchhikers and jazz music by Belgium filmmaker Jean-Marie Buchet.
Ad vitam aeternam
1

Ad vitam aeternam

Jan 01, 1978
A man remains dazed and confused after his wife's death. Strange things start happening in his house. The next day the undertaker comes to collect the body.
Mystery
Potemkine 3
1

Potemkine 3

Dec 26, 1974
Recovering all of the intertitles of the Battleship Potemkin, Jean-Marie Buchet substitutes for the images of the film various views that he himself shot and which are unrelated to the initial work, thus joining the technique of diversion widely recommended and applied by the Situationists.
Hommage à Don Helder Camara
1
We see a bearded man in whom we recognize Louis Lenglet, known as Lacaille, with a white towel around his neck (already seen in Patrick Hella's film disguised as a tramp), in front of a plate of hot potatoes which he eats with certain voluptuousness. Suddenly the man accelerates, devouring with a courage that borders on unconsciousness (it eats!)
Hommage à Don Helder Camara
1
We see a bearded man in whom we recognize Louis Lenglet, known as Lacaille, with a white towel around his neck (already seen in Patrick Hella's film disguised as a tramp), in front of a plate of hot potatoes which he eats with certain voluptuousness. Suddenly the man accelerates, devouring with a courage that borders on unconsciousness (it eats!)
Histoire d'un déménagement
1
We see a bearded man in whom we recognize Louis Lenglet, known as Lacaille, with a white towel around his neck (already seen in Patrick Hella's film disguised as a tramp), in front of a plate of hot potatoes which he eats with certain voluptuousness. Suddenly the man accelerates, devouring with a courage that borders on unconsciousness (it eats!)
Documentary