Román Bayarri

Episodic film, divided into 14 chapters, based on the play De los nombres de Cristo (1586), by Fray Luis de Leon and intended for exhibition "Are You Ready for TV?". Filmed partly in the rooms of MACBA (Museu d'Art Contemporani de Barcelona), is about the difficulty of naming or visually represent abstract concepts.

For most of our history, the ocean has been regarded as, if not a barrier, an adversary: something to be simultaneously exploited and feared. Ingo Niermann asks us to rethink our response to the fearful oceans, in hope of finding its hidden soul and reaching an understanding with it. In Sea Lovers Niermann offers us a whole chest of new models for reading, touching and feeling the sea. As the seaside theme parks of the early 20th century offered us a safe encounter with the novel and unsettling technologies of the age, could an underwater amusement park allow us closer interpersonal connection with other lifeforms? And just as the domestication of animals into emotional and affective companions made the forests ‘safe’ for our comprehension, could dolphins or cephalopods become our guides to the watery depths that were once our home? Could the salty touch of the ocean itself soften us towards accepting its wild and all-encompassing embrace?

For most of our history, the ocean has been regarded as, if not a barrier, an adversary: something to be simultaneously exploited and feared. Ingo Niermann asks us to rethink our response to the fearful oceans, in hope of finding its hidden soul and reaching an understanding with it. In Sea Lovers Niermann offers us a whole chest of new models for reading, touching and feeling the sea. As the seaside theme parks of the early 20th century offered us a safe encounter with the novel and unsettling technologies of the age, could an underwater amusement park allow us closer interpersonal connection with other lifeforms? And just as the domestication of animals into emotional and affective companions made the forests ‘safe’ for our comprehension, could dolphins or cephalopods become our guides to the watery depths that were once our home? Could the salty touch of the ocean itself soften us towards accepting its wild and all-encompassing embrace?