Maria Peterson

Else vit une brusque dégringolade qui la fait passer du théâtre de variétés à la prostitution.

Orphan Enid White becomes the ward of a cruel man. She gets close to her guardian's wife and also to his son, who secretly comes to visit when his father is not around. One evening Enid is whipped by the patriarch, and hours later he is found dead. An investigation follows.

Tatjana is a tale of Russia, the Bolshevik uprising and revolution in a rural setting, entwined with a story of desire and deception. The first intertitle reads, “Fate tires now and then of painting pretty coloured pictures. In such a mood she takes the Blacks and Reds of Human Passion and paints a stark tragedy…” The scene opens on a manservant, drawing back the curtains and discovering his master slumped over at his desk. He is dead. The Chief of Police arrives to interrogate the household and discovers the dead man’s wife purposely sent all the servants out to the theatre the night before… what was the reason for her actions? A letter will explain all as the film delves into the characters’ past through flashback…

In this short motion picture, schoolboy Kees is intelligent, introvert and sensitive, but gets ridiculed verbally and physically at an all-boys school by mindlessly cocky class mates and even insensitive teachers, especially in gym, where his physical weakness is mercilessly abused to make him a defenceless laughing stock in front of his smirking peers. His awakening sexual interest goes to boys, and in particular to Charel, a beautiful athletic classmate who probably feels an undetermined interest but would never risk admitting (possibly not even to himself) having any gay or bi appreciation, least of all for a 'sissy', and thus remains unresponsive to shy Kees' overtures. When the hunk finally comes over to Kees' place while his parents are away, a desperate disappointment with a tragical twist is in the making…