Murtaza Arif

Igie Ehanire a research student on African Art history gets touched, he gets more perturbed about the injustice of the British invasion of Benin.

Launder Run tells the story of Jake, a man returning to his gritty hometown after years away, carrying the weight of a troubled past. The film opens on a rainy Saturday afternoon as Jake trudges through a bleak estate, visibly exhausted and clutching a plastic bag. Arriving at his sister Sue’s chaotic, unkempt flat, he confronts the ruins of his old life—a dirty fridge, a cluttered bedroom reduced to storage, and the ghosts of a once-close family. Seeking solace, he revisits his old pub, a place teeming with memories. As he steps inside, the bartender recognizes him with shock, hinting at Jake’s mysterious past and the reasons for his long absence. “Lounder Run” explores themes of homecoming, redemption, and the unshakable grip of one’s origins.

Davis is a down on his luck filmmaker who, unable to generate interest in his movie has invested what little saving he has in an old camera to shoot the film himself, only to find that he gets more than he expected, in the form of some unexpected help.

From Ancient Greece to the frozen North, rulers have always needed their elite troops – men trained to perfection, skilled with a devastating array of weaponry – men who will track down their leader’s enemies and kill them. All assassination teams faced one big problem: getting close enough to kill. No one in the ancient world had sniper rifles. As a result even the most formidable Japanese Ninjas got captured and tortured. This series brings some of the most dramatic tales of antiquity to life with a mixture of dramatic reconstruction, documentary filming and expert testimony. Each episode details the intricate complexity of the elite troops who performed the assassination missions and how they worked. It shows what they had to do to achieve elite status, how they could dress, and the weapons they got to use when they completed their first mission.