Karuna Banerjee

Dans le deuxième volet de la trilogie, Apu a 10 ans et est devenu un élève brillant. Il décroche une bourse et part étudier à Calcutta, laissant sa mère déchirée par le chagrin.

La trilogie d'Apu est un ensemble de trois films du réalisateur indien bengali Satyajit Ray : - Pather Panchali (La Complainte du sentier, 1955), qui, parmi de nombreuses distinctions, remporte le prix du document humain au Festival de Cannes 1956 ; - Aparajito (L'Invaincu, 1956) ; - Apur Sansar (Le Monde d'Apu, 1959). Les films, réalisés de 1955 à 1959, se basent sur deux romans bengalis de Bibhutibhushan Bandopadhyay : Pather Panchali (1929) et Aparajito (1932).

Deciding to start a school for girls named after his wife, a zamindar looks for a married couple to manage the establishment. They apply for and get the job. The two are not actually married; they posed as a couple to obtain the job. After a series of complications and delicate situations, love blooms between the two and they marry.

Les vacances d'un groupe de personnes dans une station de montagne de la région de Darjeeling.

The spirit of a condemned 20-year-old student wanders through time, linking together four stories of people struggling for survival in this gritty meditation on poverty, natural disaster and political strife in India. A middle-class family's home is no match for the monsoons, while another clan's morality is compromised when famine strikes. Young boys smuggle rice, and politicians pity the poor while living in the lap of luxury.

Une femme heureuse, mariée au fils d'une famille de la haute société du Bengale du XIXe siècle, dont la vie est bouleversée lorsque son beau-père a la vision qu'elle est la déesse Kali revenue sur terre. Il la convainc de remplir son rôle de divinité vivante et de transformer sa maison en temple.

Ranjit is a young man who has been assured a lucrative job. All he has to do is turn up for the interview dressed in a western style suit, but all the city laundries are on strike that morning, and his only suit is dirty.

Dans un petit village du Bengale, vers 1910, Apu, un garçon de 7 ans, vit pauvrement avec sa famille dans la maison ancestrale. Son père, se réfugiant dans ses ambitions littéraires, laisse sa famille s’enfoncer dans la misère. Apu va alors découvrir le monde, avec ses deuils et ses fêtes, ses joies et ses drames.

When a bride vanishes on her wedding day, a web of secrets and forbidden love is exposed. Caught in the crossfire are two young women, each battling against the constraints of caste and tradition. As their lives intertwine, a powerful story unfolds about the enduring power of love and the devastating consequences of societal expectations.

In 1967, Canadian documentarian James Beveridge traveled to Kolkata to film director Satyajit Ray at work. The resulting program, produced for the American public television series “The Creative Person,” features interviews with Ray, several of his actors and crew members, and film critic Chidananda Das Gupta.

The school of a remote and poor village shut down, the head master Krishna Prasanna (Chhabi) migrates to city in search of job. He moves with family, wife Labanya (Karuna), nubile daughter (Ranjana) and very young son. He takes residence with his wife's brother. He meets per chance one of his ex students, of whom he used to take free evening classes and many of whom got merit scholarship and became cream of society, a doctor, a judge, successful lawyer, manager of a big bank and so on. Can he cross the barrier and meet them? All have big bungalows and office with watchmen to stop. If he managed to meet them, will they recall his contribution and help their benefactor? If they do, what change he has to bring in himself? Can he?

Arko, a film student, invites Subir Banerjee, who played the legendary role of Apu, to attend an award ceremony in Germany. But the old man hesitates to accept the invitation.

An upper-class Bengali family is on vacation in Darjeeling, a popular hill station and resort near Kanchenjungha.