Roberto Scheuer

In this surreal (and little seen) Argentinean film, a rich upper class family's secrets are exposed during the course of an evening meal. Tensions mount as emotions run high and taboo subjects are explored such as incest and politics. As their dinner table conversation begins to escalate into physical and verbal altercations, the family awaits the arrival of a friend named Hallewyn. When the night is over, will their friend still be joining them?

A comic strip detective and a superhero are hired to investigate separatedly the successive murders of CEOs within a real life corporation symbolizing a nation, while subversive groups and members of the establishment lead a war for power.

The film tells how in 1970 a group of Argentine filmmakers - including Alberto Fischerman, Rafael Filippelli, Julio Ludueña, Miguel Bejo, Jorge Cedrón, Dody Scheuer and Luis Zanger - decided to make a short film each in one night. The occasion is perfect to describe the atmosphere of the '70s, the fever in which militants and publicists lived, the clash between art and politics. Includes fragments of the films The Players vs. Ángeles Caídos (Fischerman, 1969), Shadows (John Cassavetes, 1959), Made in U.S.A. (Jean-Luc Godard, 1966), L'eclisse (Michelangelo Antonioni, 1962), The Hour of the Furnaces (Pino Solanas & Octavio Getino, 1968), Tire dié (Fernando Birri, 1960), Alianza para el progreso (Ludueña, 1971), La civilización está haciendo masa y no deja oír (Ludueña, 1974) and La pieza de Franz (Fischerman, 1974).

Traveling dentist O'Connell traverses South America on his motorcycle for the 'Eversmile' foundation of New Jersey, in a fight not only against cavities, but also against fear, ignorance, indifference - and established antediluvian dentists. During a stop at a lonesome garage he meets Estella, who is supposed to marry a few days later. However she'd rather come with him - to meet a former boyfriend in another town, she says. Expecting problems, he refuses to take her, but she tricks him into it and then tries hard to convince him of her qualities and let her stay with him.

Telma (Norma Pons) is concerned when her father Salerno dies of a heart attack in a movie theater while watching a film of two thugs beating another man. She believes that there is something more to it, and seeks the help of Deganis (Patricio Contreras), a forensic psychiatrist. Deganis, having found out the names of the two actors doing the beating onscreen, looks one of them up. His name is Walensky (Lito Cruz), and he is looking for Smith (Martin Adjemian), the other actor.

In a neighborhood cinema, the function is delayed due to the loss of the film.