Günter Peter Straschek

Scenes from Berlin: Kids playing football, a man tries to light a fire in his stove, a film team sets up a shot in a park, students discuss politics.

This is a small, intense film based on Schoenberg’s opus of the same name with the subtitle “danger, fear, catastrophe”. It deals with emerging fascism and the persecution of Jews, as well as with their historical continuities.

Documentary about a single mother.

Documentary about a single mother.

West­ern for the SDS por­trays the de­vel­op­ment of the left as a learn­ing pro­cess among wo­m­en who shar­p­en their aware­ness in the move­ment but cont­in­ue to have no say. The con­tro­ver­sy sur­round­ing the film is shown in the DFFB week­ly news­reel Re­quiem for a Com­pany. The West­ern was con­fis­cat­ed by the ad­min­is­tra­tion, and eigh­teen stu­dents who sid­ed with Straschek were ex­pelled from the acade­my. The film was considered lost until its rediscovery in 2018.

West­ern for the SDS por­trays the de­vel­op­ment of the left as a learn­ing pro­cess among wo­m­en who shar­p­en their aware­ness in the move­ment but cont­in­ue to have no say. The con­tro­ver­sy sur­round­ing the film is shown in the DFFB week­ly news­reel Re­quiem for a Com­pany. The West­ern was con­fis­cat­ed by the ad­min­is­tra­tion, and eigh­teen stu­dents who sid­ed with Straschek were ex­pelled from the acade­my. The film was considered lost until its rediscovery in 2018.

West­ern for the SDS por­trays the de­vel­op­ment of the left as a learn­ing pro­cess among wo­m­en who shar­p­en their aware­ness in the move­ment but cont­in­ue to have no say. The con­tro­ver­sy sur­round­ing the film is shown in the DFFB week­ly news­reel Re­quiem for a Com­pany. The West­ern was con­fis­cat­ed by the ad­min­is­tra­tion, and eigh­teen stu­dents who sid­ed with Straschek were ex­pelled from the acade­my. The film was considered lost until its rediscovery in 2018.

Based on extensive interviews, shot on 16mm in a series of static long takes, Filmemigration aus Nazideutschland, is one of the most fascinating examples of "Film history on film" ever produced. Straschek devoted years to researching the topic and accumulating both film and non-film materials. Apart from some radio features and articles, however, this 290-minute TV programme remains the only published trace of Straschek's lifelong work on the emigration of film personnel. He had intended to publish a three-volume book, encompassing all available data about 3,000 emigrants originating from the centre and peripheries of film production, but the book never materialised.

Based on extensive interviews, shot on 16mm in a series of static long takes, Filmemigration aus Nazideutschland, is one of the most fascinating examples of "Film history on film" ever produced. Straschek devoted years to researching the topic and accumulating both film and non-film materials. Apart from some radio features and articles, however, this 290-minute TV programme remains the only published trace of Straschek's lifelong work on the emigration of film personnel. He had intended to publish a three-volume book, encompassing all available data about 3,000 emigrants originating from the centre and peripheries of film production, but the book never materialised.

Based on extensive interviews, shot on 16mm in a series of static long takes, Filmemigration aus Nazideutschland, is one of the most fascinating examples of "Film history on film" ever produced. Straschek devoted years to researching the topic and accumulating both film and non-film materials. Apart from some radio features and articles, however, this 290-minute TV programme remains the only published trace of Straschek's lifelong work on the emigration of film personnel. He had intended to publish a three-volume book, encompassing all available data about 3,000 emigrants originating from the centre and peripheries of film production, but the book never materialised.