Amlan Datta

In the glitz and the glamour of a Bollywood dominated industry that India has today, we narrate the story of a parallel film-making community whose aim is not to create cliched blockbusters, but to tell a meaningful and thought provoking story through the medium of cinema.

Malana, a remote village in the Himalayas, isolated from outside civilization for thousands of years has been fostering a primitive existence in harmony with nature and a unique model of democracy of consensus. They have also been producing some of the best quality hashish in the world. A real life story of transition, this ancient civilization being invaded and obliterated by the modern democracy. Narrated in an epic structure, a visual essay from the edge of the world with a message of trust, peace and eternal unity.

A menagerie of miniscule human stories of changing India, from history of early computers to the myth of present IT bubble, both sides of development and progress.

Guided by the words of a 92-year old veteran of the independence movement, the Kolkata-born director captures the fading vestiges and atmosphere of the city. A "monkey man" leads his monkey and the camera through the city streets, where the sound of spinning wheels can be heard coming from the alleyways, and the calls of street vendors and the performance of a voice mimic echo off the walls of old buildings. The film evokes the faint fragrance of Kolkata that lingers in these fragments of memory.

DAAYEN YA BAAYEN revolves around a schoolteacher in a remote village in the Himalayas who wins a luxury car in a TV contest. His life spirals in a series of comic conflicts as he tries to match the rest of his life to the glamour of the car, undoing himself completely in the process. When the car is stolen, he sets out on a journey to recover more than just his prized vehicle - his lost dignity.