Sébastien Cros

Créé dans la seconde moitié des années 90, l'association de cinéma expérimental l'Etna connaîtra la transition du cinéma argentique au numérique. Son local, en plein Paris, ne résistera pas à la gentrification.

The macula is commonly known as the yellow spot, located near the center of the retina at which visual perception is the most acute. A photosensitive body rises from shadow to burn out in light.

The macula is commonly known as the yellow spot, located near the center of the retina at which visual perception is the most acute. A photosensitive body rises from shadow to burn out in light.

The macula is commonly known as the yellow spot, located near the center of the retina at which visual perception is the most acute. A photosensitive body rises from shadow to burn out in light.

Tabula Rasa is the second chapter of a three part project, where its central element, which follows Nocte, is a performance continuing the same plan: a double screen where images of a black and white reel unwind and a third beam where matter is invented for every projection. An imaginary journey throughout Europe tracing cartography of the ruin, a melancholic voyage through time, a look at fingerprints and trace, absence, stone and dust. To experience the silver film as wall experiences the passing of men and time, in search of fracture, a breach where only it survives, among the ashes and the debris, a blind light wave travels a wasted land. There is no bond that time does not erase.

Aphasia is an unsettling inquiry into the representation of violence and the violence of representation. This documentary gesture explores how collective crimes keep being repeated and reflects on social and political constellations, unfolding constructions behind nation-states and national identities.

A film poem filmed at Antwerp Zoo echoes diasporic voices of displacement. The work is inspired by the writings of W.G. Sebald, who offered an alternative model of memory through intertextuality and a metonymical narrative technique.

A film poem filmed at Antwerp Zoo echoes diasporic voices of displacement. The work is inspired by the writings of W.G. Sebald, who offered an alternative model of memory through intertextuality and a metonymical narrative technique.

A suite of urban deserts scratches and cracks over and over at each screening. A breach of light opens and closes on mnemonic traces. The alternation of the film is done directly on the spot, the representation of the image is in perpetual confrontation.

A suite of urban deserts scratches and cracks over and over at each screening. A breach of light opens and closes on mnemonic traces. The alternation of the film is done directly on the spot, the representation of the image is in perpetual confrontation.

A suite of urban deserts scratches and cracks over and over at each screening. A breach of light opens and closes on mnemonic traces. The alternation of the film is done directly on the spot, the representation of the image is in perpetual confrontation.

Tabula Rasa is the second chapter of a three part project, where its central element, which follows Nocte, is a performance continuing the same plan: a double screen where images of a black and white reel unwind and a third beam where matter is invented for every projection. An imaginary journey throughout Europe tracing cartography of the ruin, a melancholic voyage through time, a look at fingerprints and trace, absence, stone and dust. To experience the silver film as wall experiences the passing of men and time, in search of fracture, a breach where only it survives, among the ashes and the debris, a blind light wave travels a wasted land. There is no bond that time does not erase.