Laura Burhenn

"Everything Will Change" est un docu-concert sur la performance de The Postal Service au Greek Theater à Berkeley, en Californie, lors de leur tournée de retrouvailles en 2013. Une collaboration entre Benjamin Gibbard (de Death Cab pour Cutie) et Jimmy Tamborello (de Dntel), avec Jenny Lewis de Rilo Kiley, The Postal Service a sorti Give Up, leur seul et unique album, en 2003. Cet album s'est vendu à plus d'un millions d'exemplaires et la plupart des fans du groupe n'ont jamais eu la chance de les voir en concert. Pour célébrer le 10e anniversaire de Give Up, le groupe s'est réuni pour faire le tour du monde. Avec des interviews intimes et des images en coulisses du groupe, Everything Will Change capture l'une des nuits où tout a changé."

In this concert film, OneRepublic perform from a clifftop in Malibu, California, from late afternoon to evening, to celebrate the release of their record 'Human'.

The War On Drugs perform at the Ukrainian Cultural Center in Los Angeles, in support of their long-awaited and widely praised fifth studio album, “I Don’t Live Here Anymore”.

A visual essay revealing social inequality as the silent sickness of COVID-19 lockdown America. To highlight the disconnect between the fantasy of Los Angeles and the lived reality for many of its citizens, a computerized voice gives a dispassionate monologue over imagery that explores the truth of a city after the tourists, luxury stores and entertainment are removed from the streets. Through silent vignettes, the film leaves us with images of homelessness, and comments on the shallowness of capitalism and the hypocrisy of multiculturalism.

A visual essay revealing social inequality as the silent sickness of COVID-19 lockdown America. To highlight the disconnect between the fantasy of Los Angeles and the lived reality for many of its citizens, a computerized voice gives a dispassionate monologue over imagery that explores the truth of a city after the tourists, luxury stores and entertainment are removed from the streets. Through silent vignettes, the film leaves us with images of homelessness, and comments on the shallowness of capitalism and the hypocrisy of multiculturalism.