Jean McClain

Le premier concert de Hugh Laurie en vidéo ! Le 26 mars 2013, Hugh Laurie réalisait son rêve en investissant la scène de la salle Art déco du fameux paquebot Queen Marie. Le concert combine des titres de ses deux albums de blues à succès, “Let Them Talk” sorti en 2011 et le très récent “Didn’t It Rain”, à d’autres pépites musicales. Hugh Laurie mène le concert au chant, au piano et à la guitare, soutenu par le Copper Bottom Blues Band. Un grand moment de blues dans une atmosphère intime et chaleureuse.

Adam Sandler monte sur scène pour une comédie spéciale imprévisible et palpitante, avec des chansons, des blagues, des chiens qui cassent la baraque et beaucoup d'amour.

Tracking (1994) is a documentary about the band Phish and the recording of the album Hoist. It is directed by the band's bass player, Mike Gordon, who wrote, for the VHS packaging: While in the studio recording the album 'Hoister' (sic) I sported a video camera. Sometimes I pushed the record button. Others, the stop. Alas, I edited. Using machines small yet sweet, I assembled Tracking. This isn't about railroad tracks or stuffing things up the tender nostril. It's about 48 tracks of sound, adjacent on strips of plastic. Like mixing lilac petals, coriander, chunks of butter, and fennel into a soup. Tracking is the recording of different sounds, adjacent on strips of plastic. . . . Many of the musicians on the album, Alison Krauss, Béla Fleck, and actor Jonathan Frakes, are shown recording tracks that eventually wound up on the album. The documentary is approximately 25 minutes long and was produced by Cactus Films.

Tracking (1994) is a documentary about the band Phish and the recording of the album Hoist. It is directed by the band's bass player, Mike Gordon, who wrote, for the VHS packaging: While in the studio recording the album 'Hoister' (sic) I sported a video camera. Sometimes I pushed the record button. Others, the stop. Alas, I edited. Using machines small yet sweet, I assembled Tracking. This isn't about railroad tracks or stuffing things up the tender nostril. It's about 48 tracks of sound, adjacent on strips of plastic. Like mixing lilac petals, coriander, chunks of butter, and fennel into a soup. Tracking is the recording of different sounds, adjacent on strips of plastic. . . . Many of the musicians on the album, Alison Krauss, Béla Fleck, and actor Jonathan Frakes, are shown recording tracks that eventually wound up on the album. The documentary is approximately 25 minutes long and was produced by Cactus Films.