Thomas Schwalm

They're young, unemployed and on the march - from Glasgow, Liverpool and Swansea to London.

In Southern Rhodesia in the 1940s, city-dweller Mary marries farmer Dick Turner and is plucked from the comforts of her cosmopolitan life and forced to live on his unsuccessful farm. Mary slowly goes insane and has a sexual affair with her black servant, Moses. When the affair is discovered, Mary asks Moses to leave the farm, but he returns and murders her.

This documentary is about the first five years of BBC Radio 1 and contains interviews with the disc jockeys and other folk who were involved in the station's inception. It also contains footage from the previous pirate radio era as a means of explaining why Radio 1 came about.

When a group of small aliens accidentally abandons one of their own on Earth, adventurous kids Max and Pete stumble upon the "Glitterball" and attempt to return it to its mother ship. As the children learn more about the friendly alien and its magical powers, they must protect their new companion from an army corporal and a small-time thief who are both hunting the extraterrestrial for their own cruel purposes.

Over ten years, documentary filmmaker Peter Clifton has recorded performances by some of the biggest names in world pop rock. From 1964 to 1973, groups such as the Rolling Stones, Animals, Cream, Blind Faith, Pink Floyd and Faces passed through London, as well as emblematic singers of that period, some with meteoric trajectory such as Otis Redding and Jimi Hendrix; others, poets of a single era, like Cat Stevens and Donovan, as well as those who would shine brighter a few years later, like Joe Cocker and Tina Turner. You can check it all out on this historic DVD, an indispensable document for anyone who appreciates the purest rock.

Over ten years, documentary filmmaker Peter Clifton has recorded performances by some of the biggest names in world pop rock. From 1964 to 1973, groups such as the Rolling Stones, Animals, Cream, Blind Faith, Pink Floyd and Faces passed through London, as well as emblematic singers of that period, some with meteoric trajectory such as Otis Redding and Jimi Hendrix; others, poets of a single era, like Cat Stevens and Donovan, as well as those who would shine brighter a few years later, like Joe Cocker and Tina Turner. You can check it all out on this historic DVD, an indispensable document for anyone who appreciates the purest rock.

Christopher Isherwood, who captured the spirit of Berlin in the 1920s while "over there on a visit" is interviewed fifty years later at his home in Los Angeles. He discusses his literature, his involvement with Eastern religion, and his long relationship with artist Don Bachardy.

People claim to know an amnesiac who finds herself in a hotel with a suitcase full of cash.

Following the success of the 1979 show and the financial benefits accruing to Amnesty from the spin-off movie, TV special and record albums – Cleese, Lewis and Walker planned the next show to be a more spectacular event. Cleese focused on broadening the comedic talent to be presented at the show. In addition to the Amnesty show stalwarts drawn from the Oxbridge/Monty Python/Beyond The Fringe orbit, he invited newcomers such as Rowan Atkinson’s colleagues from the BBC TV show Not the Nine O'Clock News including Pamela Stephenson and Griff Rhys Jones; comedian Victoria Wood and regional comic Jasper Carrott. Lewis secured a return appearance by Billy Connolly and a debut appearance by "alternative" comedian Alexei Sayle who Lewis had recently discovered and was managing. Building on the success of Pete Townshend's 1979 appearance Lewis recruited other rock musicians to perform at the 1981 show including Sting, Phil Collins, Eric Clapton, Jeff Beck, Donovan and Bob Geldof.

Vintage film footage from the hey-day of the London's rock and roll scene. Interviews with rock artists and London's hippies and flower children.

Filmed record of a major rock and roll festival held at Wembley Stadium, London, in August 1972. London Rock and Roll Show begins with excerpts from numerous "warm-up" performers shown singing either covers of 1950s hits, or original tunes, including a performance by Screaming Lord Sutch that threatens to end the concert prematurely when he brings a stripper on stage. The main concert segment begins with Bo Diddley and continues with a string of other major performers including Jerry Lee Lewis, Little Richard, and Bill Haley and His Comets. The concert ends with an extended performance by Chuck Berry, who at the time was enjoying major chart success in Britain and the US with his "My Ding-a-Ling" (although he does not perform that song in this film). Mick Jagger also appears in several non-musical interludes in which he is interviewed about the performers.

Filmed record of a major rock and roll festival held at Wembley Stadium, London, in August 1972. London Rock and Roll Show begins with excerpts from numerous "warm-up" performers shown singing either covers of 1950s hits, or original tunes, including a performance by Screaming Lord Sutch that threatens to end the concert prematurely when he brings a stripper on stage. The main concert segment begins with Bo Diddley and continues with a string of other major performers including Jerry Lee Lewis, Little Richard, and Bill Haley and His Comets. The concert ends with an extended performance by Chuck Berry, who at the time was enjoying major chart success in Britain and the US with his "My Ding-a-Ling" (although he does not perform that song in this film). Mick Jagger also appears in several non-musical interludes in which he is interviewed about the performers.

Robin of Sherwood was a British television series, based on the legend of Robin Hood. Created by Richard Carpenter, it was produced by HTV in association with Goldcrest, and ran from 1984 to 1986 on the ITV network. In America it was retitled Robin Hood and shown on the premium cable TV channel Showtime and on PBS. The show starred Michael Praed and Jason Connery as two different incarnations of the title character. Unlike previous adaptations of the Robin Hood legend, Robin of Sherwood combined a gritty, authentic production design with elements of real-life history, 20th century fiction, and pagan myth. The series is also notable for its haunting title music by Clannad, which won a BAFTA award.