土居志央梨

During the one-year memorial of his late beloved father, a soon-to-be father (Hoshi Ishida) struggles to reconcile his feelings of loss and receives support from his mother, sister and wife. -JAPAN CUTS: Festival of New Japanese Film

Le lycéen Ito est un élève sérieux et travailleur âgé de 17 ans. Mais il s'ennuie également et se sent insatisfait. Sur le chemin du retour de l'école, Ito joue souvent à une sorte de jeu, se mettant au défi de marcher le long d'une longue ligne blanche sur la route. Un jour, alors qu'il joue à son jeu solitaire, il rencontre un autre lycée, le naïf mais sympathique Nishi et Ito tombe immédiatement sous son charme. Le duo se rencontre à nouveau, mais ils ne semblent pouvoir passer du temps ensemble que sur le chemin du retour de l'école à la maison. Dans un élan de passion, Ito embrasse soudainement Nishi, et il est ravi de découvrir que Nishi éprouve aussi des sentiments pour lui. L'histoire suit les deux garçons alors qu'ils passent de la fin de l'enfance à l'âge adulte, et sont obligés de relever de nouveaux défis qui mettent leur amour à l'épreuve à chaque instant.

21st Century Girl is an omnibus feature that is of the girls, by the girls and for the girls. The work of 15 women directors under the age of 30, each of whom contributed an 8-minute film, the package highlights a range of genres, visions and thematic concerns.

Saki, a high school girl who always skips classes, works part-time as a life adviser.

Through philosophical and science themed imagination, Emile questions everything from his teenage years to adult life.

Shuji Tokita (Eiji Okuda) is a film director and a professor at a university. He goes through a difficult time trying to film his new movie. He believes his movies reflect his own personal expriences. A female high school student, Ritsuko (Yukino Murakami), appears in front of Shuji.

Michiko used to work as a live-in part-timer at an izakaya, but suddenly lost her job and her house at the same time due to COVID-19 pandemic. There are no new jobs because of the COVID-19 pandemic, and diners and internet cafes are closed. Michiko is at her wits' end, but there in front of her is a bus stop that stands slightly brightly in the darkness, illuminated only by the streetlights.

Haruna, étudiante, vit chez sa mère. Ichiro, camarade classe de Haruna, est homosexuel. Haruna soutient Ichiro, qui est harcelé à l'école. Ils deviennent de plus en plus proches et un jour, Ichiro confie à Haruna un secret : il a retrouvé un corps près de la rivière…

Taxi driver Gion Taro falls in love with one of his female passengers. When he learns that she is a famous actress shooting a film in his beloved hometown Kyoto, he doesn't hesitate for a second to apply for the last remaining acting role - as a taxi driver. Based on a radio drama, Gion Taro's odyssey is charmingly animated with paper cutout figures, set against the backdrop of scenic Kyoto.

Shunsaku was paralyzed from the neck down at the young age of 36 by a spinal injury suffered in a motorcycle accident. A blind woman named Hanae arrives to be his caregiver. Despite her frustrations with Shusaku's ill-nature and verbal abuse, Hanae also harbors a tremendous sense of being deprived that she doesn't tell others.

Screenwriter Goro Kaiba is horrified to learn via Facebook that his wife Ayako is having an affair. Furthermore, her post about the affair has received 108 likes. Absolutely furious, Goro Kaiba contemplates divorcing his wife, but he estimates he will have to pay her half of his assets, about 10,000,000 million yen, in a divorce. To get revenge, Goro Kaiba decides to use that money on a epic one month womanizing streak. His goal is 108, the number of likes his wife received on social media.

In the early Showa era, Japan’s first women’s law school opens, and the protagonist, Inotsume Tomoko (Ito Sairi), gains nationwide attention as one of the first female lawyers in the country. However, after facing wartime Japan’s harsh realities and losing everything, she becomes a judge with her legal knowledge and dedicates herself to establishing the family court. She stands passionately for the hardships that politics and economics cannot solve.

In the end of Meiji era, Takei Chiyo was born in a poor family in Osaka, and was sent to a theatre tea room as a servant when she was 9 years old. There, she was attracted by the world of theatre comedy. She grows up to be an actor and marries to Amami Ippei , but the war broke out and she was forced to stay away from acting for a while. However, when she comes back again, her acting in a radio drama impresses many people and makes herself one of the leading actors in western Japan.

Two boys meet by chance when both attempt to walk along the white line on the sidewalk. As they become drawn together and choose to walk side by side, how will their unchanging feelings co-exist within a world of changing realities?

She looks super competent at work but has no idea what she's doing. He seems like a mess, but he's great at his job. Together — they make quite a team.