José Rodriguez-Soltero

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Joan of Arc
1

Joan of Arc

Jan 10, 1967
The story of Joan of Arc as applied to the present revolution in arts and more. The Gothic is applied to the War in Vietnam. The film is experimental in the sense that in it the visual becomes tactile.
The Stone Age
1

The Stone Age

Jan 31, 1970
"The question is, it is either going to be a stoned age or a new Stone Age" - Louis Brigante
Lupe
6.5

Lupe

Jan 30, 1967
The film — a mix of music, colors, abstract scenes and little dialogue — is based loosely on the life and death of Mexican-American actress Lupe Velez. The music, far more than mere background, borders on serving as the film’s narrative and ranges from classical to contemporary pop music.
Comedy
Jerovi
1

Jerovi

Jun 07, 1965
A key work of queer and Latino New York underground film, José Rodríguez-Soltero described Jerovi as his “sexual probe of the narcissus myth.” A boldly erotic, dreamlike portrait of Jeroví Sansón Carrasco, who also commissioned and financed the film, Jerovi offers a Narcissus for the 1960s period of sexual revolution, marking a significant shift from the introspective and psychoanalytic use of narcissism by previous queer experimental filmmakers.
Lupe
6.5

Lupe

Jan 30, 1967
The film — a mix of music, colors, abstract scenes and little dialogue — is based loosely on the life and death of Mexican-American actress Lupe Velez. The music, far more than mere background, borders on serving as the film’s narrative and ranges from classical to contemporary pop music.
Comedy
Diálogo con el Che
5

Diálogo con el Che

Jan 01, 1968
In 1967, José Rodriguez Soltero made “Dialogue with Che” (1968), starring Venezuelan artist, actor, producer and dancer Rolando Peña as Che. Warhol superstar Taylor Mead is also featured, in the role of a CIA agent. “The film was partly underwritten by Andy Warhol, who gave a check to cover lab fees. "Dialogue..." was seldom shown in the States - it is entirely in Spanish - but had some life in the European screens. It had a modest run at the Cinémathèque Française, where it was championed by Marie Meerson and Henri Langlois, and played at the Berlin Film Festival in 1969. Historically, it has been shown with two prints projected side by side, the second screen starting with a 3-minute delay. --Film-Makers Coop