Robby Storey

HOLD is a tense, spare, and lean drama about a young couple's relationship in the aftermath of a violent home invasion. Boasting no musical score and filmed in claustrophobic closeups, it investigates the frailty of the hero complex by putting a microscope on American paranoia.

A group of old friends are hanging at one of their houses exchanging stories of sexual escapades, awaiting another friend to arrive so they can celebrate a birthday at a nude bar. When one of them is suddenly accused of having masturbated in his friend's bathroom, what starts as a McCarthy-era trial of accusations at one individual suddenly escalates into a night of judgment that tests the truth of their words and the strength of all their friendships. LIONS' DEN is an entirely improvised drama using both actors and non actors shot over the course of an evening, based from a loose outline. It ultimately is a probing of the way men behave with one another. It also emphasizes the way people point the finger at others to hide their own sins and actions. A melting pot of lies, truths, egos, and masculinity that is stirred with documentary-style filmmaking.

An elliptical, minimalist narrative of a lost, wandering child in the wake of an affair that may or may not have even happened.

HOLD is a tense, spare, and lean drama about a young couple's relationship in the aftermath of a violent home invasion. Boasting no musical score and filmed in claustrophobic closeups, it investigates the frailty of the hero complex by putting a microscope on American paranoia.

HOLD is a tense, spare, and lean drama about a young couple's relationship in the aftermath of a violent home invasion. Boasting no musical score and filmed in claustrophobic closeups, it investigates the frailty of the hero complex by putting a microscope on American paranoia.

HOLD is a tense, spare, and lean drama about a young couple's relationship in the aftermath of a violent home invasion. Boasting no musical score and filmed in claustrophobic closeups, it investigates the frailty of the hero complex by putting a microscope on American paranoia.

A chilling portrait of loss and redemption when men create their own gods.

Billy the Marine's last day home before going back to Iraq. Realizing he may never come back, he tries to make amends with various people in his life. For Billy, the real battle may be on the home front rather than the front lines. LEAVE is an entirely improvised drama that was shot over the course of one day in Arlington, Texas, using both actors and non actors, both family and friends of the director, all from a one page outline. The story ultimately describes the different ways people express their love to one another, and how these ways of communicating love are sometimes lost.

A group of old friends are hanging at one of their houses exchanging stories of sexual escapades, awaiting another friend to arrive so they can celebrate a birthday at a nude bar. When one of them is suddenly accused of having masturbated in his friend's bathroom, what starts as a McCarthy-era trial of accusations at one individual suddenly escalates into a night of judgment that tests the truth of their words and the strength of all their friendships. LIONS' DEN is an entirely improvised drama using both actors and non actors shot over the course of an evening, based from a loose outline. It ultimately is a probing of the way men behave with one another. It also emphasizes the way people point the finger at others to hide their own sins and actions. A melting pot of lies, truths, egos, and masculinity that is stirred with documentary-style filmmaking.