Ivan Ladislav Galeta

1

time/ OUT OF JOINT

Jan 01, 2015

time/ OUT OF JOINT

2015 85 min 1 vues

With research that spans the work of philosophers Gilles Deleuze and Martin Heidegger to modern mythologies in which time reversal plays a crucial role — such as failed time machines, speed of light travel, and occult practices involving speech — Stracke combines science and philosophy in an attempt to defy death through cinema and the notion of time reversal.

Documentary

1

Martinac

Nov 09, 2015

Martinac

2015 62 min 1 vues

Documentary about the life and work of Ivan Martinac (1938-2005), avant-garde & experimentalist filmmaker from Split, Croatia.

Documentary

1

Pismo

May 13, 1993

Pismo

1993 4 min 1 vues

A video letter, created during the years of war in Croatia when communication with the rest of the world was difficult. It is addressed to the author's Hungarian and British friends. The author is sending electronic flashes with his hands, and his voice delivers the message in Hungarian and English.

Documentary

1

Media Game I

Jan 01, 1979

Media Game I

1979 1 min 1 vues

"A one-minute split-screen goof" from Yugoslavian artist Ivan Ladislav Galeta.

1

Media Game I

Jan 01, 1979

Media Game I

1979 1 min 1 vues

"A one-minute split-screen goof" from Yugoslavian artist Ivan Ladislav Galeta.

7

TV-Ping-Pong

Jan 01, 1978

TV-Ping-Pong

1978 2 min 1 vues

An early video work by Ivan Ladislav Galeta that underlines the perceptual presumptions of video-media.

Documentary

6

Water pulu 1869 · 1896

Jan 01, 1988

Water pulu 1869 · 1896

1988 9 min 1 vues

Playing with the recording of a water polo match, Galeta creates a kind of Copernicus twist in the structure and perception of this sports game. The ball still motivates the movements of players, but it is no more a dynamic element, but the fixed center of the image.

Documentary

5

PiRâMΐdas 1972-1984

Jan 01, 1984

PiRâMΐdas 1972-1984

1984 6 min 1 vues

Ivan Ladislav hides a true chamber of wonders behind the clear, mathematically abstract structure of his films and videos, meticulously compiled rhythmically frame for frame, each work likewise presenting an analysis of the film medium. Concealed therein, culled from deep in the medium’s prehistory, are hermetic parallel universes in whose number ranges and symbolic spaces, Galeta’s precisely constructed film compositions find a formalist anchor.

Documentary

5

Dva vremena u jednom prostoru

Mar 01, 1985

Dva vremena u jednom prostoru

1985 13 min 1 vues

One film projected two times with a difference of a couple of seconds.

Documentary

4

Wal(l)zen

Jan 01, 1989

Wal(l)zen

1989 7 min 1 vues

A piano player is able to perform a Chopin piece backwards and Galeta will film it backwards and forwards creating four different variations of a movement bound to time.

Documentary

5.7

Sfaira 1985 -1895

Jan 01, 1984

Sfaira 1985 -1895

1984 10 min 3 vues

A short experimental film; "An hommage to silent movies".

2

Linie rytmiczne

Jan 01, 1986

Linie rytmiczne

1986 7 min 1 vues

A short experimental film dedicated to Polish artist Wacław Szpakowski (1883–1973).

Documentary

1

Forwards–Backwards: Piano

Jan 01, 1977

Forwards–Backwards: Piano

1977 18 min 1 vues

A delightful experiment in sound, using classical music. Galeta iconoclastically subverts the romantic score of a Chopin waltz by manipulating three out of four performances by pianist Fred Dosek.

4

Wal(l)zen

Jan 01, 1989

Wal(l)zen

1989 7 min 1 vues

A piano player is able to perform a Chopin piece backwards and Galeta will film it backwards and forwards creating four different variations of a movement bound to time.

Documentary

1

End Art No. 1

Jan 01, 2000

End Art No. 1

2000 30 min 1 vues

A video that uses Finnegans Wake as a structuring device to create a portrait of the farm Galeta retreated to in his final decade, where he focused on making the study of permaculture his ultimate 'artistic landscape'.

Documentary

1

Pismo

May 13, 1993

Pismo

1993 4 min 1 vues

A video letter, created during the years of war in Croatia when communication with the rest of the world was difficult. It is addressed to the author's Hungarian and British friends. The author is sending electronic flashes with his hands, and his voice delivers the message in Hungarian and English.

Documentary

1

Pismo

May 13, 1993

Pismo

1993 4 min 1 vues

A video letter, created during the years of war in Croatia when communication with the rest of the world was difficult. It is addressed to the author's Hungarian and British friends. The author is sending electronic flashes with his hands, and his voice delivers the message in Hungarian and English.

Documentary

1

Pismo

May 13, 1993

Pismo

1993 4 min 1 vues

A video letter, created during the years of war in Croatia when communication with the rest of the world was difficult. It is addressed to the author's Hungarian and British friends. The author is sending electronic flashes with his hands, and his voice delivers the message in Hungarian and English.

Documentary

1

Pismo

May 13, 1993

Pismo

1993 4 min 1 vues

A video letter, created during the years of war in Croatia when communication with the rest of the world was difficult. It is addressed to the author's Hungarian and British friends. The author is sending electronic flashes with his hands, and his voice delivers the message in Hungarian and English.

Documentary

1

Metanoia

Jul 23, 1969

Metanoia

1969 12 min 1 vues

Ivan Ladislav Galeta's first experimental film displays a narrative structure and a philosophic/mystical idea – we begin nowhere and we end in nothing, at the starting point. From a hidden position, the camera follows a man in a black coat who approaches passers-by asking directions without taking his hands out of his pockets. The passers lift their hands and point their fingers at the direction he uses to continue his way.

Documentary

1

Metanoia

Jul 23, 1969

Metanoia

1969 12 min 1 vues

Ivan Ladislav Galeta's first experimental film displays a narrative structure and a philosophic/mystical idea – we begin nowhere and we end in nothing, at the starting point. From a hidden position, the camera follows a man in a black coat who approaches passers-by asking directions without taking his hands out of his pockets. The passers lift their hands and point their fingers at the direction he uses to continue his way.

Documentary

1

Metanoia

Jul 23, 1969

Metanoia

1969 12 min 1 vues

Ivan Ladislav Galeta's first experimental film displays a narrative structure and a philosophic/mystical idea – we begin nowhere and we end in nothing, at the starting point. From a hidden position, the camera follows a man in a black coat who approaches passers-by asking directions without taking his hands out of his pockets. The passers lift their hands and point their fingers at the direction he uses to continue his way.

Documentary

1

Metanoia

Jul 23, 1969

Metanoia

1969 12 min 1 vues

Ivan Ladislav Galeta's first experimental film displays a narrative structure and a philosophic/mystical idea – we begin nowhere and we end in nothing, at the starting point. From a hidden position, the camera follows a man in a black coat who approaches passers-by asking directions without taking his hands out of his pockets. The passers lift their hands and point their fingers at the direction he uses to continue his way.

Documentary

1

Metanoia

Jul 23, 1969

Metanoia

1969 12 min 1 vues

Ivan Ladislav Galeta's first experimental film displays a narrative structure and a philosophic/mystical idea – we begin nowhere and we end in nothing, at the starting point. From a hidden position, the camera follows a man in a black coat who approaches passers-by asking directions without taking his hands out of his pockets. The passers lift their hands and point their fingers at the direction he uses to continue his way.

Documentary