Katrin Pärn

Mati, a 70-year-old bibliophile, cannot cope with his wife's death. As loneliness and indifference overrun his thoughts, he contemplates suicide until he meets a younger man who sparks his interest in life.

This is a story of two old folks, who have spent most of their lives behind prison walls. Now, as seventy year old men, they have been granted amnesty. Both men have a passionate desire to change their lives according to certain plans.

The film consists of three chapters. The Manslayer takes place more than a hundred years ago. The leading character Maara is a young bride who is about to start her life in her new family. The Virgin, set in the spring of 1949, tells the story of a young woman called Elina, who has been deported from Ingria into Estonia during the previous war. The Shadow moves in the present, on the border of real life and fantasy. The main character, Luna Lee, has decided to flee from home. Is there anything besides emptiness somewhere? The film is led by the singularity of the leading character - Maara, Elina and Luna Lee are all played by the same actress.

After getting fired from an advertising agency, the project manager Rain tries to make a new company. He tried to convince Andres, a film director to join in hopes of getting a feature film contract. Everything goes smoothly until the lies surface.

There are two people who wake up in the same bed one morning, and neither of them has a clue who the other is. Viivi would like to run away and the man is sleeping like a log. Unlike Viivi and Andu themselves, the viewers know both very well. They know that Viivi has the worst day in her life and that Andu is a dweeb, but not completely hopeless; a rather good-hearted man. They are both hopelessly lonely people hoping that maybe there's someone somewhere - So they might as well meet.

Remembering is a fluid affair. A daughter tries to reconcile with her mother through memories of their shared rituals, exposing the intricate aspects of their relationship. As the daughter matures, she begins to contemplate conventional notions of divinity. The blank frames of the 35mm strip regain their function as memorabilia in the process of engraving her past onto its surface.