Alfredo Guevara

Few people in Argentine and Latin American cinema have been as close as Fernando Birri to stand as a patriarch, pioneer, and spokesman for a committed cinema that tears itself apart in its solidarity with its own surroundings. This ode to the tireless Birri presents him to us in full: teaching, establishing standards, and creating with the tools of his time, turning culture into a form of political affirmation as he grows more and more vital and rooted.

Les critiques de cinéma contemporains considèrent le film épique I Am Cuba comme un chef-d'œuvre moderne. La coproduction cubano-soviétique de 1964 a marqué un tournant dans la collaboration culturelle entre les deux nations. Pourtant, le film n'a jamais trouvé un public de masse et a langui pendant des décennies jusqu'à sa réintroduction en tant que "classique" dans les années 1990. Vicente Ferraz explore l'étrange histoire de ce tour de force cinématographique et sa signification profonde pour ceux qui ont participé à sa création.

Beethoven's Hair traces the unlikely journey of a lock of hair cut from Beethoven's corpse and unravels the mystery of his tortured life and death. The film begins in modern times, when a pair of Beethoven enthusiasts purchase the hair at a Sotheby's auction. The story then looks at the lock's previous owners and culminates in the science that reveals Beethoven's "medical secret". Set to a lush score of some of Beethoven's most glorious music, the film explores the world of forensic testing in sharp relief against the romance of 19th-century Vienna and the horrors of 20th-century Nazi Germany.

In a small island convulsed by the 1959 revolution, Santiago Álvarez used the Seventh Art as a political weapon and created an aesthetic that became a reference in the documentary field. Santiago, who called himself a permanent traveler through history, registered the most significant facts of his time, from the Cuban Revolution to the disintegration of the Soviet Block. He took to spectators from all continents a counterpoint to the history narrated by the United States Information Service, USIS. Through his works, we dive into the Cuban political and cultural scene, the tensions of Latin America, the Vietnam War, the countless conflicts for African independence, always with a peripheral look that is characteristic of his cinema, currently converted into a memory of a world in transformation.

Through the files of Cuban cinema news program Noticieros ICAIC Latinoamericanos, the documentary shows the most relevant events of the second half of the 20th century as seen by the documentary filmmakers of the island. During three decades and under the general direction of Santiago Álvarez, these moviemakers witnessed almost everything: from the shivers of the Cold War to Bola de Nieve's piano solos; from the discovery of the killing fields in Cambodia to the Carnation Revolution in Portugal. In 2009, the original negatives of Noticieros ICAIC Latinoamericanos were declared part of the "world memory" by UNESCO.

Documentary about the independence and history of Latin America.

Documentary that portrays the life of a coal-mining town south of Havana, around 1955, prior to the triumph of the revolution.