A radical film that is at once a scathing questioning of cinema, a fierce attack against ideological sclerosis, an obvious model of total science fiction.
French short adaptation of Herman Melville's classic. The employee of a lawyer is in a mental hospital following a scandal. Some time later, he finds his employer.
This bitter and ironic satire illustrates the universal problems with youth and their revolt against the bourgeois establishment. The man becomes a symbolic victim of what he is protesting and resigns himself to a gloomy future with bleak prospects for humankind. This directorial debut for Jean Pierre Lajournade was well received at the 1970 Mannheim Film Festival.
Werther was one of the last feature films that Jean-Pierre Lajournade made for television. The Lajournade's version of Werther makes a critical rereading of Goethe's work through a challenge to bourgeois society.
A radical film that is at once a scathing questioning of cinema, a fierce attack against ideological sclerosis, an obvious model of total science fiction.
A radical film that is at once a scathing questioning of cinema, a fierce attack against ideological sclerosis, an obvious model of total science fiction.
This bitter and ironic satire illustrates the universal problems with youth and their revolt against the bourgeois establishment. The man becomes a symbolic victim of what he is protesting and resigns himself to a gloomy future with bleak prospects for humankind. This directorial debut for Jean Pierre Lajournade was well received at the 1970 Mannheim Film Festival.
This bitter and ironic satire illustrates the universal problems with youth and their revolt against the bourgeois establishment. The man becomes a symbolic victim of what he is protesting and resigns himself to a gloomy future with bleak prospects for humankind. This directorial debut for Jean Pierre Lajournade was well received at the 1970 Mannheim Film Festival.
A 1965 segment from a French television program "Seize millions de jeunes" which takes a look at the mod movement in the United Kingdom, and includes performances by the Who at the Marquee Club in London’s West End, as well as an interview with Pete Townshend.
This bitter and ironic satire illustrates the universal problems with youth and their revolt against the bourgeois establishment. The man becomes a symbolic victim of what he is protesting and resigns himself to a gloomy future with bleak prospects for humankind. This directorial debut for Jean Pierre Lajournade was well received at the 1970 Mannheim Film Festival.
An experimental, early form of "docufiction," 'Bruno' follows a young (and fictional) graduate of Philosophy who is confronted with his lack of concrete professional qualification during a job search, including several interviews with real job recruiters. Presented as part of the French news magazine program "Seize millions de jeunes."