Une fusée décolle avec un équipage audacieux de quatre astronautes, O'Banion, Iris Ryan, Le Professeur Gettell et le Sergent Sammy Jacobs. Ils sont les premiers hommes dans la course scientifique entre les nations à tenter de se poser sur Mars, voyagent à des millions de kms dans l'espace pour une planète encore inconnue. Mais l'équipe de contrôle sur Terre ne reçoit plus aucune réponse à leurs messages...
A commentary on the destructive expectations of females in a male dominated society, Marilyn Times Five was made from an old stag film called "The Apple-Knockers, and the Coke"(1948) these sections of the film were set to Marilyn Monroe's song "I'm Through With Love". The film depicts a Marilyn Monroe look-a-like slowly taking her clothes off for the camera (the viewer). The woman's actions are looped several times which gives the audience a sensation of exhaustion. That exhaustion keeps building until the very end where the woman is shown crumpled on the floor in an awkward position, which makes it appear as if she is lifeless.
Much of Hunter's fame was built upon her resemblance to Marilyn Monroe; indeed, her Playboy pose was obviously inspired by Monroe's notorious 1949 nude photo session with Tom Kelley from which her own Playboy photo came. The similarity in look between Hunter and Monroe also came into play when a nude Hunter starred in a film short called Apple Knockers and Coke. For many years there have been those who have seen the film and have mistaken Hunter for Monroe.
Private Eye Bernard Bingbang is hired by old lady Agatha Bungworthy to find her runaway niece Cynthia, heir to the family fortune, before that fortune goes to nasty Uncle Philip. Bingbang’s only clue to the niece’s identity: she has a birthmark that looks like a butterfly right above her left nipple. Naturally, in true Nudie-Cutie fashion, “The Case of the Hidden Butterfly Birthmark” means our hero will have to see numerous naked breasts in order to find the missing heiress.
Collins College needs a new department head for their science department, so Doctors Carter and Zorch consult Thinko, the campus computer, and come up with Dr. Mathilda West, who has degrees in lots of things, but turns out to be disruptively attractive as well.
A visitor to the Everglades swamps in Florida encounters and falls in love with an uneducated girl. But he finds competition for her affections from the unlikely and mysterious A. Beauregard Lincoln. He also discovers danger from nature in the form of vicious alligators and from the mystical in the form of a voodoo witch doctor.
Compilation of clips of buxom women, including "Striptease from Lullaby of Bareland", "Movie Model", "The Big Bust", "Busty Babe #1", "Buxom Blonde", "The Sea Siren", "The Forest Nymph", "Hold Me", "Slightly High" and "Rip Tide".
A widower and aeronautical engineer named Steven Douglas raises three sons with the help of his father-in-law, and later the boys' great-uncle. An adopted son, a stepdaughter, wives, and another generation of sons join the loving family in later seasons.
Straightaway is a 26-week half-hour adventure/drama television series which aired on ABC during the 1961–1962 season – the story of two young men who operate a garage and engage in auto racing. John Ashley and Brian Kelly played race car designers Clipper Hamilton and Scott Ross, respectively. Scott designs the vehicles, and Clipper is the mechanic. Asa Maynor was cast in four episodes as Dixie. Most episodes center on the clients who bring a race car to the Straightaway Garage. The series was originally planned to be named “The Racers”, but the title had to be altered because of sponsor problems.
Straightaway ran at 7:30 Eastern on Fridays opposite CBS’s Rawhide with Clint Eastwood and Eric Fleming. Straightaway was moved to Wednesdays effective January 10, 1962, for the remainder of its brief run.
Lock-Up is an American legal drama series that premiered in syndication in September 1959 and concluded in June 1961. The half-hour episodes had little time for character development or subplots and presented a compact story without embellishment.