Claude Beausoleil

1

Carré Saint-Louis

Oct 04, 2019

Carré Saint-Louis

2019 137 min 1 vues

Le Carré Saint-Louis est l’âme poétique de Montréal. Il est un peu à Montréal ce que la Place du Tertre est à Paris ; un petit parc urbain hanté par l’esprit de nombreux artistes qui ont contribué à forger l’identité culturelle québécoise. C’est bien lui qui se dessinait par-delà le jardin de givre à la fenêtre d’Émile Nelligan. C’est aussi sur l’un de ses bancs, qu’en 1985 Dany Laferrière y écrivait son premier roman « Comment faire l’amour avec un nègre sans se fatiguer ». Le documentaire Carré Saint-Louis vous convie à une incursion poético-historique dans la petite histoire de ce square emblématique qui pendant plus d’un siècle fut un lieu de convergence de la bohème, de marginaux, d’artistes et des plus fervents indépendantistes.

Documentary

2.3

La révélation

Jan 25, 1973

La révélation

1973 81 min 3 vues

Drama

6.3

Les Oursins

Jan 01, 1954

Les Oursins

1954 11 min 17 vues

Underwater photography, magnified close-ups, and film through microscope present the sea urchin, a complex creature. We see their mouth and five teeth close and open. After injecting one with gelatin, the shell is removed and we see the muscle structure, digestive tube, and reproductive organs. Magnified stems reveal suction cups; stems lengthen and contract allowing the sea urchin to move. We see microscopic calcareous stems; at their ends are jaws with various uses. Cilia everywhere are in constant motion, stirring up water and debris. African music on the soundtrack suggests a shuffle dance.

Documentary

7.1

L'Enfance nue

Jan 22, 1969

L'Enfance nue

1969 83 min 72 vues

Underwater photography, magnified close-ups, and film through microscope present the sea urchin, a complex creature. We see their mouth and five teeth close and open. After injecting one with gelatin, the shell is removed and we see the muscle structure, digestive tube, and reproductive organs. Magnified stems reveal suction cups; stems lengthen and contract allowing the sea urchin to move. We see microscopic calcareous stems; at their ends are jaws with various uses. Cilia everywhere are in constant motion, stirring up water and debris. African music on the soundtrack suggests a shuffle dance.

Drama

1

Marie Soleil

Dec 19, 1964

Marie Soleil

1964 85 min 1 vues

Underwater photography, magnified close-ups, and film through microscope present the sea urchin, a complex creature. We see their mouth and five teeth close and open. After injecting one with gelatin, the shell is removed and we see the muscle structure, digestive tube, and reproductive organs. Magnified stems reveal suction cups; stems lengthen and contract allowing the sea urchin to move. We see microscopic calcareous stems; at their ends are jaws with various uses. Cilia everywhere are in constant motion, stirring up water and debris. African music on the soundtrack suggests a shuffle dance.

Drama

7.4

Le Bonheur

Feb 10, 1965

Le Bonheur

1965 80 min 241 vues

Underwater photography, magnified close-ups, and film through microscope present the sea urchin, a complex creature. We see their mouth and five teeth close and open. After injecting one with gelatin, the shell is removed and we see the muscle structure, digestive tube, and reproductive organs. Magnified stems reveal suction cups; stems lengthen and contract allowing the sea urchin to move. We see microscopic calcareous stems; at their ends are jaws with various uses. Cilia everywhere are in constant motion, stirring up water and debris. African music on the soundtrack suggests a shuffle dance.

Drama

7.2

Chronique d'un été (Paris 1960)

Oct 20, 1961

Chronique d'un été (Paris 1960)

1961 91 min 100 vues

Underwater photography, magnified close-ups, and film through microscope present the sea urchin, a complex creature. We see their mouth and five teeth close and open. After injecting one with gelatin, the shell is removed and we see the muscle structure, digestive tube, and reproductive organs. Magnified stems reveal suction cups; stems lengthen and contract allowing the sea urchin to move. We see microscopic calcareous stems; at their ends are jaws with various uses. Cilia everywhere are in constant motion, stirring up water and debris. African music on the soundtrack suggests a shuffle dance.

Documentary

7.527

À bout de souffle

Mar 16, 1960

À bout de souffle

1960 90 min 1794 vues

Underwater photography, magnified close-ups, and film through microscope present the sea urchin, a complex creature. We see their mouth and five teeth close and open. After injecting one with gelatin, the shell is removed and we see the muscle structure, digestive tube, and reproductive organs. Magnified stems reveal suction cups; stems lengthen and contract allowing the sea urchin to move. We see microscopic calcareous stems; at their ends are jaws with various uses. Cilia everywhere are in constant motion, stirring up water and debris. African music on the soundtrack suggests a shuffle dance.

Drama

7

Le grand cirque Calder 1927

Jan 01, 1955

Le grand cirque Calder 1927

1955 43 min 1 vues

Underwater photography, magnified close-ups, and film through microscope present the sea urchin, a complex creature. We see their mouth and five teeth close and open. After injecting one with gelatin, the shell is removed and we see the muscle structure, digestive tube, and reproductive organs. Magnified stems reveal suction cups; stems lengthen and contract allowing the sea urchin to move. We see microscopic calcareous stems; at their ends are jaws with various uses. Cilia everywhere are in constant motion, stirring up water and debris. African music on the soundtrack suggests a shuffle dance.

Documentary

7.7

Vivre sa vie: film en douze tableaux

Sep 20, 1962

Vivre sa vie: film en douze tableaux

1962 84 min 632 vues

Underwater photography, magnified close-ups, and film through microscope present the sea urchin, a complex creature. We see their mouth and five teeth close and open. After injecting one with gelatin, the shell is removed and we see the muscle structure, digestive tube, and reproductive organs. Magnified stems reveal suction cups; stems lengthen and contract allowing the sea urchin to move. We see microscopic calcareous stems; at their ends are jaws with various uses. Cilia everywhere are in constant motion, stirring up water and debris. African music on the soundtrack suggests a shuffle dance.

Drama

6.5

Les carabiniers

May 31, 1963

Les carabiniers

1963 80 min 83 vues

Underwater photography, magnified close-ups, and film through microscope present the sea urchin, a complex creature. We see their mouth and five teeth close and open. After injecting one with gelatin, the shell is removed and we see the muscle structure, digestive tube, and reproductive organs. Magnified stems reveal suction cups; stems lengthen and contract allowing the sea urchin to move. We see microscopic calcareous stems; at their ends are jaws with various uses. Cilia everywhere are in constant motion, stirring up water and debris. African music on the soundtrack suggests a shuffle dance.

War

1

Léa, l'hiver

Mar 20, 1971

Léa, l'hiver

1971 90 min 1 vues

It starts with the discovery of a woman's corpse, then gradually reveals the past of this woman as well as the police investigation which follows the discovery.

Crime

5.8

Slogan

Jul 27, 1969

Slogan

1969 90 min 23 vues

It starts with the discovery of a woman's corpse, then gradually reveals the past of this woman as well as the police investigation which follows the discovery.

Drama

7.1

Lola

Mar 03, 1961

Lola

1961 89 min 254 vues

It starts with the discovery of a woman's corpse, then gradually reveals the past of this woman as well as the police investigation which follows the discovery.

Drama

5

Ben et Bénédict

Apr 10, 1977

Ben et Bénédict

1977 95 min 1 vues

Ben (Françoise Lebrun) is a woman who never gets to do what she really wants to do and is the victim of everybody and everything. Benedict is her imaginary creation: the girl who would respond with strength and mastery to situations she can only submit to. She is married to a cad who says he only married her because she was pregnant, and now he wants his freedom. Her real love is a fellow medical student, who shows some interest in her. Nonetheless, she remains faithful to her unenthusiastic husband, until she becomes pregnant again. At this point, she begins to act more like the Benedict of her dreams and less like the "Ben" she has lived as until now.

7.2

Tirez sur le pianiste

Nov 25, 1960

Tirez sur le pianiste

1960 85 min 405 vues

Ben (Françoise Lebrun) is a woman who never gets to do what she really wants to do and is the victim of everybody and everything. Benedict is her imaginary creation: the girl who would respond with strength and mastery to situations she can only submit to. She is married to a cad who says he only married her because she was pregnant, and now he wants his freedom. Her real love is a fellow medical student, who shows some interest in her. Nonetheless, she remains faithful to her unenthusiastic husband, until she becomes pregnant again. At this point, she begins to act more like the Benedict of her dreams and less like the "Ben" she has lived as until now.

Drama

5.1

Tire-au-flanc 62

Nov 25, 1960

Tire-au-flanc 62

1960 87 min 9 vues

Ben (Françoise Lebrun) is a woman who never gets to do what she really wants to do and is the victim of everybody and everything. Benedict is her imaginary creation: the girl who would respond with strength and mastery to situations she can only submit to. She is married to a cad who says he only married her because she was pregnant, and now he wants his freedom. Her real love is a fellow medical student, who shows some interest in her. Nonetheless, she remains faithful to her unenthusiastic husband, until she becomes pregnant again. At this point, she begins to act more like the Benedict of her dreams and less like the "Ben" she has lived as until now.

Comedy

7.6

Jules et Jim

Jan 23, 1962

Jules et Jim

1962 106 min 960 vues

Ben (Françoise Lebrun) is a woman who never gets to do what she really wants to do and is the victim of everybody and everything. Benedict is her imaginary creation: the girl who would respond with strength and mastery to situations she can only submit to. She is married to a cad who says he only married her because she was pregnant, and now he wants his freedom. Her real love is a fellow medical student, who shows some interest in her. Nonetheless, she remains faithful to her unenthusiastic husband, until she becomes pregnant again. At this point, she begins to act more like the Benedict of her dreams and less like the "Ben" she has lived as until now.

Drama

7.2

La Peau douce

Apr 20, 1964

La Peau douce

1964 119 min 196 vues

Ben (Françoise Lebrun) is a woman who never gets to do what she really wants to do and is the victim of everybody and everything. Benedict is her imaginary creation: the girl who would respond with strength and mastery to situations she can only submit to. She is married to a cad who says he only married her because she was pregnant, and now he wants his freedom. Her real love is a fellow medical student, who shows some interest in her. Nonetheless, she remains faithful to her unenthusiastic husband, until she becomes pregnant again. At this point, she begins to act more like the Benedict of her dreams and less like the "Ben" she has lived as until now.

Drama

1.5

Bactron 317 ou L'espionne qui venait du show

Jan 01, 1982

Bactron 317 ou L'espionne qui venait du show

1982 81 min 2 vues

Ben (Françoise Lebrun) is a woman who never gets to do what she really wants to do and is the victim of everybody and everything. Benedict is her imaginary creation: the girl who would respond with strength and mastery to situations she can only submit to. She is married to a cad who says he only married her because she was pregnant, and now he wants his freedom. Her real love is a fellow medical student, who shows some interest in her. Nonetheless, she remains faithful to her unenthusiastic husband, until she becomes pregnant again. At this point, she begins to act more like the Benedict of her dreams and less like the "Ben" she has lived as until now.

Comedy

3.3

Nick Carter et le trèfle rouge

Nov 26, 1965

Nick Carter et le trèfle rouge

1965 90 min 3 vues

Ben (Françoise Lebrun) is a woman who never gets to do what she really wants to do and is the victim of everybody and everything. Benedict is her imaginary creation: the girl who would respond with strength and mastery to situations she can only submit to. She is married to a cad who says he only married her because she was pregnant, and now he wants his freedom. Her real love is a fellow medical student, who shows some interest in her. Nonetheless, she remains faithful to her unenthusiastic husband, until she becomes pregnant again. At this point, she begins to act more like the Benedict of her dreams and less like the "Ben" she has lived as until now.

Action

1

Sep 15, 1967

1967 min 1 vues

Fernand est un homme à tout faire, en charge de trouver les solutions aux problèmes des clients de son entreprise de dépannage S.O.S.

Comedy