Ehud Banai

Raveh does not only document the past, he documents a future that will never be, and the films that Amrani did not live to create. Researching Amrani's documents, Raveh found several short screenplays, and sought out three directors of Amrani's generation to bring them to life. The short films are interwoven throughout the documentary - "The Boat", directed by Nir Bergman, "Albert and Ronit", directed by Dover Kosashvili, and "Sabbath Eve", directed by Joseph Cedar. The warmth, intensity and drama of family life; issues of Persian ethnicity; tradition and the desire to break away from tradition; the competition and camaraderie of boys and men; the search for love; a persistent spiritual search and a love of the sea - all these are reflected in the brief yet intriguing vignettes, imbuing the film with a sense of Amrani's vision as a filmmaker and how his presence might have influenced the Israeli film scene.

A Bedouin woman hides an Israeli pilot from Egyptian soldiers. While the Egyptian soldiers torture her to get information, the Israeli soldiers rescue her.

The opera appeared at the "Tzavta" Theatre, and was concerned with real political subjects, such as the occupation of the territories of the West Bank and Gaza (which was then nearing its twentieth year), the unequal discrimination of the residents of southern Israel, and Israeli militarism.

Mentally handicapped Maurice is enthusiastically preparing for his brother's wedding. The family, however, dreads that Maurice's unpredictable behavior will spoil the occasion.

Raveh does not only document the past, he documents a future that will never be, and the films that Amrani did not live to create. Researching Amrani's documents, Raveh found several short screenplays, and sought out three directors of Amrani's generation to bring them to life. The short films are interwoven throughout the documentary - "The Boat", directed by Nir Bergman, "Albert and Ronit", directed by Dover Kosashvili, and "Sabbath Eve", directed by Joseph Cedar. The warmth, intensity and drama of family life; issues of Persian ethnicity; tradition and the desire to break away from tradition; the competition and camaraderie of boys and men; the search for love; a persistent spiritual search and a love of the sea - all these are reflected in the brief yet intriguing vignettes, imbuing the film with a sense of Amrani's vision as a filmmaker and how his presence might have influenced the Israeli film scene.

Ehud Banai, now Israel's biggest singer-songwriter, got in the music business when he was over thirty. This is the story of his music, his friends, and his musical inspirations - from the beginning.

The opera appeared at the "Tzavta" Theatre, and was concerned with real political subjects, such as the occupation of the territories of the West Bank and Gaza (which was then nearing its twentieth year), the unequal discrimination of the residents of southern Israel, and Israeli militarism.