Jon Moss

2002 documentary on the history of the 1980s New Romantic band-- Culture Club.

In 2014 Culture Club decided to come back together to record a new album and embark on a UK and US tour. Director Mike Nicholls has unique access, following the band as they first meet in George's London home to write new material. However, it's not long before creative differences and tensions from their past begin to emerge. Faultlines develop further when the band travel to Spain to record the new album, spending two weeks working and living together in a remote recording studio.As the band return to London to prepare for the tour, they suffer a Twitter mauling after their first big public performance on Strictly Come Dancing. Relations are even more strained when George and the band sign to separate managers and a sudden illness threatens the whole reunion.The film looks at the band's troubled past, examining the themes of success, fame and ego, and reveals the personalities behind one of the most iconic bands of all time.

Recorded live at Hammersmith Odeon December 1983 1 - I'll Tumble 4 Ya 2 - Mister Man 3 - It's A Miracle 4 - Karma Chameleon 5 - Black Money 6 - Love Twist 7 - Do You Really Want To Hurt Me 8 - Miss Me Blind 9 - Church Of The Poision Mind 10 - Victims 11 - Time 12 - White Boy 13 - Melting Pot.

Live at the Royal Albert Hall finds Culture Club celebrating their 20th anniversary with an infectious and expansive grandeur, all while basking in the love of adoring fans. The show actually starts with a great joke on the audience: Boy George, looking not a day over 20, glides onstage in his once-trademark derby and beaded hair extensions, delivering a warm and welcome vocal on "Do You Really Want to Hurt Me?" The startled crowd soon realises he's an impersonator. The real, fortysomething George O'Dowd, looking a lot less androgynous and a tad thicker than in his New Romantic days, smiles self-deprecatingly and launches into a pleasing set of white soul ("Cold Shoulder", "Miss Me Blind"), stark gospel ("That's the Way"), stirring raga-rock ("Bow Down Mister") and even a classic (a lovely cover of Bowie's "Starman", complete with audience participation and muscular guitar by Roy Hay). It's a fine show all around.

Pour ce concert très spécial dans leur ville natale, les quatre membres originaux du groupe – Boy George, Jon Moss, Roy Hay et Mikey Craig – se sont réunis pour un dernier concert ensemble à l'historique Wembley Arena de Londres en 2016.

Documenting the days and weeks preceding Boy George's appearance in a New York courtroom in June 2006 for cocaine possession and his subsequent sentencing to 5 days community service as a street cleaner by order of the US justice department.

Mark Kidel's portrait of Boy George is a hypnotic story of narcissism and neediness, drugs and drag. It covers nine years, from Culture Club's sudden success through George's rebirth as a solo celeb. Along the way there's tons of amazing archive footage, some very queer fashions, a gripping interview with his ex, Jon Moss and a sign of salvation.

A 30-minute video featuring documentary footage shot at the November 1984 recording session of Band Aid's 'Do They Know It's Christmas?'. It includes interviews with the charity supergroup's recording artists and musicians, as well as the completed promotional video.

Location - London's Hyde Park Date - 4th July 1999 Madness: "Our House"; S Club 7: "Bring it all Back"; Boyzone: "No Matter What"; Geri Halliwell: "Look at Me"; Texas: "Blacked Eyed Boy"; Steps: One for Sorrow". It all goes on and on and on with simply the best on this 120 minute concert recording of the Party In The Park

Forty years on from the release of the hit single by charity supergroup Band Aid, this documentary unearths 75 minutes of rare and previously unseen film footage from the day of recording

Champs-Élysées est une émission de variétés de la télévision française présentée par Michel Drucker puis par Laurent Ruquier et diffusée en direct à partir du 16 janvier 1982 à juin 1985 et de janvier 1986 jusqu'au 29 juin 1990 tous les samedis soir sur Antenne 2 et de façon irrégulière sur France 2 du 13 novembre 2010 au 11 mai 2013. L'émission doit son nom au fait qu'elle est réalisée en direct du Pavillon Gabriel, situé avenue Gabriel, le long de l'avenue des Champs-Élysées à Paris. L'indicatif musical du générique de l'émission a été composée par Jean-Pierre Bourtayre et Jean-Claude Petit. La chorégraphie du générique a été composée par Redha.