Carlos Narro

A group of Mexican teenagers in the 90's face a series of ordeals in their neighborhood's dynamic of drugs and intrinsic decadent violence

Tale of a young couple who throw caution to the wind and set out in search of their true fate. Román is the son of a contemptible, right-leaning congressman. Recently enrolled in a new high school, the rebellious teen clumsily attempts to hang himself on-stage at the big talent show. Maru is the sole member of the audience to applaud, earning both students a day of detention. After bonding during the course of their punishment, Román and Maru grab daddy's gun, steal a Volkswagen, and hit the road bound for nowhere.

There are promises that are impossible to keep. My uncle José made such a promise as a child in 1963 to my mother Ana Luisa, to whom he declared a special kind of devotion. There are always bonds like this between siblings establishing mysterious complicites. This is what José declared to little Ana Luisa: "The day that you die, I´m going to die with you".

Natalia and her friends go out one night out and end up subjecting a man to their sexual will. An essay on violence that revolves around three themes: power structures, machismo and the media.

In 1994, Mexican presidential candidate Colosio garnered attention for his democratic ideology and anti-corruption stance until he was shot through the head in Tijuana. The wondrous ColOZio, which is partly based on true events, starts three days prior with a prophecy to tripping friends Diego and Gael: save Colosio from death. The duo's dancing in a kaleidoscopic animated, almost 10-minute-long title sequence subsequently sets the tone for a playful, delightfully over-the-top road movie. Expect mythical apparitions, cartoony chases and plenty of drink and drugs.