Jules Elting

Après des années d'emprisonnement, Coffin Joe revient et continue son exploration féminine afin de trouver une femme capable d'enfanter avec lui un enfant pur et assurer sa descendance maléfique.

Days after her baby is stillborn, Robin's breasts begin to produce milk. Unable to throw it away, she decides to donate the milk. As her quest for a place to donate is more difficult than she anticipated, more and more milk starts to crowd her freezer and life.

These young women are an odd couple. Julie is quick-witted and stubborn. She celebrates idleness and even voluntarily checks into a psychiatric clinic. Nurse Agnes, on the other hand, is always eager to do the right thing and to meet everyone's expectations of her, which is not always easy. When the two of them accidentally meet one day, odds are they won't get along. But they quickly feel attracted to one another, despite their enormous differences.

A modern love story set in Sao Paulo about Heitor, a writer and literature professor, and Julia, a theatre student turned veterinarian. A fight over the telephone propels Heitor into a journey through the chaotic city streets to reconcile with Julia. Their personal history unfolds against the backdrop of the city and its people in a series of events representing the struggle between poetry and science.

Marcela disappeared without leaving a trace. Those who were left to deal with her absence try to figure out who and what Marcela really was and the reasons behind her disappearance.

Fernando, ornithologue, est emporté par les rapides d'une rivière alors qu'il observe les oiseaux depuis son kayak. Inconscient, il est sauvé par deux chinoises parties faire le pèlerinage de Saint-Jacques-de-Compostelle et qui se sont perdues à la frontière portugaise. Commence pour Fernando un long chemin de souffrances et de désirs mêlés qui le transformera à tout jamais.

It was the first night of him at her house and all he wanted was to stay for breakfast.

Caio and Mari are two young people living in a relationship that goes beyond any definition. Over ten years, the plot transits between three striking moments where their desires conflict and their relationship is put to the test. The film, originated from the short film of the same name in 2006, proposes a reflection on sexuality, labels and how time constructs and transforms relationships.

A Danish summer: long days turn into blue nights. A tunnel is being built to connect Denmark and Germany. Three people meet and part ways again.

To break with the logic of a historicist and positivist narrative, from the delirium, the mystical and the daydream. To search in the same cinematic experimentalism adventure, a time space image where the Angelus Novus is a call to risk and break with the linear logic of overwhelming conving story-telling. "For the incredible!" - Shouts the Angelus Novus. Performance instead of acting and digital images enlarged and experimentally shot and edited.

In a salmon-coloured drawing room, a writer of sadomasochist literature now in her seventies narrates her turbulent, sexually explicit life story, once as her pseudonym and once as herself. What makes up a true biography, the real or the imaginary?

Leandro is a young man frustrated by his job. His master’s thesis is on the military dictatorship in Brazil. That takes him into a search for recently deceased artist Jairo Mendes’ controversial film The Beheading Game, which was censored by Brazilian censors in 1973.

Uno has a fantastic gift: he can talk and listen to cars since he was a child. After a new law prohibiting the use of aged cars puts his father's taxi company in danger, he takes a decision to recover an old family car into a “new one”, and its name is King Car – a car that speaks, listen, and even fall in love. A car that has plans for everyone.

From 2000 to 2007, Teat(r)o Oficina Uzyna Uzona worked on the staging of Euclides da Cunha's epic book, Os Sertões, which describes the 19th Century War of Canudos in the Brazilian "sertão"(backlands). The result was the pentalogy of plays: A Terra (2002), O Homem I (2003), O Homem II (2003), A Luta I (2005), and A Luta II (2006). This first play is a carnival opera, the actors are the earth, the vegetation, the wind, the animals, the rivers, the drought. It reveals the most intimate secrets of nature, that also vibrate in the human and trans-human arteries. This work enriched by the experience that the subsequent works brought gains an updated insight into the human interference in the environment. Destructive power is proportional to financial power, and the discussion about the way space gets occupied was brought to the forefront, including the real-estate boom that surrounds today not only Teatro Oficina, but the whole world, now hotter and more arid.

Everything that can be imagined can be dreamed, but even the most unexpected of dreams is a puzzle that hides a desire, or the opposite, a fear.

Love is a dirty business. The lack of love even dirtier. You can scrub and sing all day until your skin is as red as a valentine. But they will never return. This same body that moved them to tears, this same body that warmed them… is now frozen inside a song.