Frederik von Lüttichau

The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a massive archive of his own material - anything from DV-tapes to 35mm - explores the last 20 years of digital development - how it’s influenced the images we make, and our bodies. What kind of images do we get of the world now that everyone is a photographer, and what does it do with how we unfold our identities? How has the internet both captured and freed us? And will Truls even dare to show this film?

A film inspired by one of Germany's most visited blogs. The author of the site www.notesofberlin.com, Joab Nist, posts pictures of real announcements, notes, information that people leave in the streets of Berlin. The film follows 15 genuine notes and protagonists. The result is 15 funny, tragic, fascinating episodes about people and the city they live in. Twenty-four hours from the life of the city. The story begins with a note attached to a street lamp, with the message “For one minute please just stand here in silence, look at the sky and contemplate how amazing life is”. Is it possible that only a very drunk young man notices the text and looks upwards? An extraordinary mood picture of present-day Berlin and a declaration of love for the city.

When a broke young couple rent a room in an elderly couples London house it becomes apparent no one is what they really seem.

Deux soldats allemands ont fait prisonnier un soldat norvégien, au cours d'une des froides nuits d'hiver scandinaves pendant la Seconde Guerre mondiale. Ils sont reconnaissants d'avoir trouvé une maison isolée dans la nature, mais les maisons ne sont pas si confortables après tout.

TLMEA tells the story of two undercover cops, caught in a dream during a drug raid in which they descend into the 9th level of hell - the Ptolomea.

Après la disparition de son collègue Schweitzer lors d'une descente de police, le policier infiltré Till Hager est chargé de traquer une nouvelle drogue mystérieuse appelée "Abaddon", une substance censée entraîner ses utilisateurs dans les profondeurs de l'enfer...

After inheriting a run-down castle, a dispirited woman and her ill-tempered husband decide to spend the night, as time and reality shift around them.

Charts the turbulent relationship that brings a passionate couple to crossroads as they are forced to question their future together.

Luna Kunath (Caroline Erikson) and Tamara Meurer (Anjua Pahl) work together in the Potsdam murder commission. Luna is single, strong, assertive, funny, empathic, sporty and fast in the head. It is an excellent policewoman whose carefree always accompanies with a little naivety and brings you again and again in brenzy situations. Tamara, however, has more mature, adult. The two of the boss Bernhard Henschel (Michael Lott) and the colleagues David Grünbaum (Omar El-Saeidi), Christoph Westermann (Hendrik von Bültzingslöwen), lail-sure Thomas Brandner (Yung No) and legal physician Werner Vense (Bernd Stegemann). Potsdam, Berlin's pretty little sister, confronts the commissars again and again with a wide variety of life effects. However, the team not only determines in Potsdam, but must always be out of the surrounding area. Because the crime does not stop at the city limit.

Adaptation du livre de Heather Morris « Le tatoueur d'Auschwitz », relatant l'histoire vraie de Lale Sokolov, un prisonnier juif chargé de tatouer des numéros d'identification sur les bras de ses compagnons d'infortune dans le camp de concentration d'Auschwitz-Birkenau durant la Seconde Guerre mondiale.

La série des Tatort, créé en 1970, est la plus ancienne et la plus appréciée des séries télévisées policières diffusées actuellement dans les pays germanophones. Au cours de l'année 2010, elle a été regardée chaque semaine par près de 8,5 millions de personnes en moyenne, d'après l'ARD.