Carlos Gassols

Eleven friends face the kidnapper of their children on the soccer field. Only a victory will bring them back to their families.

Peru, early 2000s. Alfonso wants to be a writer, but he decides to work first as a journalist. He is assigned to the crime section of a newspaper, a job from which he can know the nasty guts of tabloid publications.

Clemente est un prêteur sur gages de Lima, connu de tous mais peu communicatif. Malgré cela, Sofia, sa vieille fille de voisine, met en lui tous ses espoirs lorsque le destin les rapproche. En effet, c’est elle que Clemente va engager comme garde d’enfants lorsqu’on dépose chez lui un nouveau né, fruit de sa relation avec une prostituée qui a depuis pris le large. La très dévote Sofia, qui voue chaque octobre un culte au Seigneur des Miracles, y voit une occasion rêvée de fonder enfin une famille. Clemente lui ne l’entend pas de cette oreille.

Eleven football-loving friends participate in a championship playing against a professional team, but this will lead to many problems and complications.

Two journalists, a reporter and a cameraman, cover violent incidents during a riot in a prison for common criminals. Television broadcasting live allows the rioters to see themselves as main characters. Our journalists come to understand, after a series of conflicts, the phenomenon in which they are participating, they are fueling the violence.

Balo, Villarán and Domingo are lifelong friends in their 80s, attending the funeral of their fourth comrade, Quique. On a whim, and fueled by their animosity towards the departed's shrewish wife, they steal the urn containing the ashes and are thrust into a series of misadventures.

An ambitious black comedy that tells three loosely related stories: a couple of elderly landowners, laid low by economic conditions and reformist politics, are trying to gather enough money to build themselves a marble tomb that would keep their remains in the style to which they still aspire; they give their now blind former housekeeper a pig that proves to be more trouble than it's worth as the effort to fatten it up destroys what little family the woman has; and one of the couple's tenants, who is presenter of a relentlessly optimistic radio self-help show, tries to put his own counsel into effect when he saves a young woman from suicide.

This is the endless story about an old couple lost at the end of their last days. The Oldman seems a baby who just eats, sleeps and watches television. The Oldlady seems a mum who cooks, cleans and speaks to him. This old couple could live anywhere in the world. Their country is death. Their only world is a long wait. The Oldlady has taken control of both lives because she is in much better mental and physical conditions than him. Day after day the Oldlady plans and organizes different ways to kill themselves. But for the moment she is not shooting well. Days will keep following until a small mistake or the correct shoot end the sadness of this harsh wait.

Lima. Une épidémie foudroyante s’est propagée dans la capitale Péruvienne. Eusebio est un homme solitaire dont le métier est de déblayer les rues de la ville, encombrées par les cadavres. C’est un "nettoyeur" (un "limpiador"). Sa solitude va basculer lorsqu’il rencontre Joaquín, un enfant devenu orphelin et qu’il va être contraint d’aider à retrouver son père. Mais la mort peut l’emporter à son tour, à tout moment… Une histoire unique de tolérance et d’amour va naître entre les deux personnages.