Modesto Fernández

Esquizo e déroule dans un hôpital psychiatrique. Une patiente mentale (Serena Vergano) est escortée dans une salle d'opération, où des électrodes sont accrochées à son cuir chevelu. Les médecins dissèquent son cerveau et nous entrons dans le cerveau avec un cri fort et discordant. Dans cet espace détaché de la réalité, un groupe d'acteurs exécutent des danses interprétatives élaborées. Ils sautent, atterrissent les uns sur les autres, placent leurs mains sur leur corps et forment diverses formes.

A good looking Iberian macho courts a free spirited young woman. The passionate temperament of her romantic beau might become too much for her to handle; or can she control it?

A series of vignettes is woven into a larger story in this first film to be written and directed by Juan Minon and Miguel A. Trujillo. A writer who works in a bookshop to earn a living meets a wealthy American named Kargus looking for talent to ensconce in his projected art colony in the Gilbert Islands. In order to convince the American to take him on as a good prospect, the writer promotes his own stories -- the vignettes seen in the film. One story is about a young man trying to impress his girlfriend with his new car, a car he indirectly borrowed from a rental agency. His efforts to hide the rental sign on top of the car lead to various comical posturings. Other vignettes are from the era of the Spanish Civil War, including one about two people trying to survive by hunting cats and killing them to sell to butchers. Another vignette shows pro-Franco activists eradicating anti-Franco graffiti in Madrid.