Mark Hammond

Et voici que Babe, l'unique representant de la race porcine a savoir conduire un troupeau de moutons, precipite par maladresse le brave M. Hoggett au fond du puits. Le malheureux est desormais immobilise et Mme Hoggett se depense sans compter pour soigner son epoux et assurer la marche de la maison. Malgre ses soins, la ferme periclite et la banque la menace d'une saisie. La paysanne decide alors d'engager Babe dans une nouvelle competition qui leur rapportera l'argent indispensable. Rassemblant tout leur courage, Babe et sa maitresse partent par la ville.

"Police Academy" clone, about some nerds who inherit an academy for morticians, which is run by a corrupt closet necropheliac. Of course, the most incompetent students possible are accepted, so that the academy will fail, and all sorts of wacky hijinks ensue.

In the future, mental institutions are located on far-away planets. One such planet is the apex for an invasion of Earth by rodent-like aliens. It is up to a band of intrepid mental patients to thwart their evil schemes.

Johnny Doyle escapes a violent past in Ireland to lie low in London, until his former mentor Flynn breaks out of Brixton Prison...

On a remote Italian island in the early 1960s, a teenage boy haunted by memories of the war falls in love with an older girl who holds a dark secret. Based on the novel "Tu, Mio," by Erri De Luca.

1971, Odessa Film Studio. The KGB studio curator orders a re-edit of just finished movie about the events of Ukraine’s 1920s "civil war" of a young director in line with the Party’s view on the historical events. This re-editing work is entrusted to a young female editor, which consequently realizes she must protect the director’s vision and the safe-guard the truth about her country under Soviet occupation.

Eternity, a 10-year-old girl, lives in a gatehouse at the edge of an ancient forest and she likes to dig for buried treasure. One day she digs up something she shouldn't, and the forest wants it back.

1971, Odessa Film Studio. The KGB studio curator orders a re-edit of just finished movie about the events of Ukraine’s 1920s "civil war" of a young director in line with the Party’s view on the historical events. This re-editing work is entrusted to a young female editor, which consequently realizes she must protect the director’s vision and the safe-guard the truth about her country under Soviet occupation.