Milan Knížák

A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.

A threefold portrait, presenting the reality within the limits of a subjective view, puts together the lives of an increasingly more remote writer and musician; a hacker, dreaming his dream of transformation into a purely virtual existence in the depths of technology; and an undertaker, unrealistic raconteur, living on the history of half-mythical Sudetenland.