Kimberly Reed

Filmmaker Kimberly Reed returns home for her high school reunion, ready to reintroduce herself to the small town as a transgender woman and hoping for reconciliation with her long-estranged adopted brother Marc. Things are complicated by the shocking revelation that Marc may be the grandson of Orson Welles and Rita Hayworth, forcing Kim and her family to explore questions of sexual orientation, identity, severe trauma and love.

What do filmmakers as disparate as Kevin Smith, Ed Burns, Rob Epstein, and Barbara Hammer have in common? A secret weapon known as Bob Hawk. As a veteran of the American independent film scene since its inception, the cinephile and consultant has been a regular, cherished presence at film festivals and markets for over three decades. Hawk saw promise in scrappy, independently produced films like Clerks and The Brothers McMullen when no one else even knew to look, and he brought these films to the attention of the Sundance Film Festival, thereby launching multiple careers in the process. An unsung champion of new voices, he has discovered innovative work, nurtured new talents, and brokered relationships with film festivals and critics alike, while staying out of the spotlight—until now. At 75, Bob Hawk looks back on a still-vibrant life in independent film, exploring how the rebellious gay son of a preacher found his calling as a behind-the-scenes film impresario.

Filmmaker Kimberly Reed returns home for her high school reunion, ready to reintroduce herself to the small town as a transgender woman and hoping for reconciliation with her long-estranged adopted brother Marc. Things are complicated by the shocking revelation that Marc may be the grandson of Orson Welles and Rita Hayworth, forcing Kim and her family to explore questions of sexual orientation, identity, severe trauma and love.

Broadway: Beyond the Golden Age explores the world of Broadway from 1959 through the early 1980s as recounted by a diverse cast of Broadway stars who lived through it, creating a first-hand archive of personal backstage stories and memories. The new documentary is the long-awaited sequel to late filmmaker Rick McKay’s award-winning 2003 film Broadway: The Golden Age, continuing the saga into the '60s and '70s and spotlighting beloved classic Broadway shows including Once Upon a Mattress, Bye Bye Birdie, Barefoot in the Park, Pippin, A Chorus Line, Ain’t Misbehavin’, Chicago, and 42nd Street. Featuring a galaxy of stars including Alec Baldwin, Carol Burnett, Glenn Close, André De Shields, Jane Fonda, Robert Goulet, Liza Minnelli, Chita Rivera, Dick Van Dyke, Ben Vereen, and many more, the film also includes rare archival photos and never-before-seen footage both onstage and off.

Broadway: Beyond the Golden Age explores the world of Broadway from 1959 through the early 1980s as recounted by a diverse cast of Broadway stars who lived through it, creating a first-hand archive of personal backstage stories and memories. The new documentary is the long-awaited sequel to late filmmaker Rick McKay’s award-winning 2003 film Broadway: The Golden Age, continuing the saga into the '60s and '70s and spotlighting beloved classic Broadway shows including Once Upon a Mattress, Bye Bye Birdie, Barefoot in the Park, Pippin, A Chorus Line, Ain’t Misbehavin’, Chicago, and 42nd Street. Featuring a galaxy of stars including Alec Baldwin, Carol Burnett, Glenn Close, André De Shields, Jane Fonda, Robert Goulet, Liza Minnelli, Chita Rivera, Dick Van Dyke, Ben Vereen, and many more, the film also includes rare archival photos and never-before-seen footage both onstage and off.

Filmmaker Kimberly Reed returns home for her high school reunion, ready to reintroduce herself to the small town as a transgender woman and hoping for reconciliation with her long-estranged adopted brother Marc. Things are complicated by the shocking revelation that Marc may be the grandson of Orson Welles and Rita Hayworth, forcing Kim and her family to explore questions of sexual orientation, identity, severe trauma and love.

Filmmaker Kimberly Reed returns home for her high school reunion, ready to reintroduce herself to the small town as a transgender woman and hoping for reconciliation with her long-estranged adopted brother Marc. Things are complicated by the shocking revelation that Marc may be the grandson of Orson Welles and Rita Hayworth, forcing Kim and her family to explore questions of sexual orientation, identity, severe trauma and love.

Filmmaker Kimberly Reed returns home for her high school reunion, ready to reintroduce herself to the small town as a transgender woman and hoping for reconciliation with her long-estranged adopted brother Marc. Things are complicated by the shocking revelation that Marc may be the grandson of Orson Welles and Rita Hayworth, forcing Kim and her family to explore questions of sexual orientation, identity, severe trauma and love.

When Zooey Zephyr was expelled from the Montana House of Representatives for speaking on a bill banning transgender medical care, she made a nearby bench her “office.” Director Kimberly Reed’s cameras land next to Zooey, capturing shocking, funny, and joyous events.

A moving and timely documentary following the unsolved murder of Venus Xtravaganza, star of the legendary Paris Is Burning as Venus’ two families — biological and ballroom — come together to seek answers and celebrate her legacy.

A moving and timely documentary following the unsolved murder of Venus Xtravaganza, star of the legendary Paris Is Burning as Venus’ two families — biological and ballroom — come together to seek answers and celebrate her legacy.

Filmed over five years in Kansas City, this documentary follows four transgender kids – beginning at ages 4, 7, 12, and 15 – as they redefine “coming of age.” These kids and their families show us the intimate realities of how gender is re-shaping the family next door in a unique and unprecedented chronicle of growing up transgender in the heartland.

When Zooey Zephyr was expelled from the Montana House of Representatives for speaking on a bill banning transgender medical care, she made a nearby bench her “office.” Director Kimberly Reed’s cameras land next to Zooey, capturing shocking, funny, and joyous events.