Albert Cossery

L’hôtel parisien La Louisiane est un lieu mythique qui a abrité plusieurs musiciens, écrivains et réalisateurs (dont Simone de Beauvoir, Juliette Gréco, Miles Davis, Albert Cossery). Visiteur régulier de la chambre numéro 10, le réalisateur Michel La Veaux partage sa fascination pour cet établissement avec des artistes et créateurs de renommée internationale.

Based on the novel "L'avenir est un crime du passé" an autobiographical novel of Arab cameraman Rahal Amin Touati, and "The house of certain Death" written by Albert Cosseri.

In this black comedy, the men in a lovely mansion slowly give in to a kind of terminal sloth after they are freed from the need to actually work. The father takes to his bed after his hernia acts up and never leaves it. Of his three sons, only one wants to do much about leaving, and he does in fact cross the front threshold of the house with his lover, who is also the maid. However, before he has gotten very far, he is very tired, and goes to sleep where he stands. One of the sons outdoes them all by sleeping literally all the time. He is not in a coma -- he is just very, very lazy and tired. Some critics have viewed this film as a sharply delineated social satire.

In this black comedy, the men in a lovely mansion slowly give in to a kind of terminal sloth after they are freed from the need to actually work. The father takes to his bed after his hernia acts up and never leaves it. Of his three sons, only one wants to do much about leaving, and he does in fact cross the front threshold of the house with his lover, who is also the maid. However, before he has gotten very far, he is very tired, and goes to sleep where he stands. One of the sons outdoes them all by sleeping literally all the time. He is not in a coma -- he is just very, very lazy and tired. Some critics have viewed this film as a sharply delineated social satire.

In this black comedy, the men in a lovely mansion slowly give in to a kind of terminal sloth after they are freed from the need to actually work. The father takes to his bed after his hernia acts up and never leaves it. Of his three sons, only one wants to do much about leaving, and he does in fact cross the front threshold of the house with his lover, who is also the maid. However, before he has gotten very far, he is very tired, and goes to sleep where he stands. One of the sons outdoes them all by sleeping literally all the time. He is not in a coma -- he is just very, very lazy and tired. Some critics have viewed this film as a sharply delineated social satire.