Sigrun Otto

1946 Norwegian film.

A woman who has sacrificed everything for her family meets a man who makes her reassess her life

Classic Norwegian Comedy from the 1960's. The Capital City of Norway is changing for the alleged better after WWII, yet not everyone wants anything to change, Living in their own way, not willing to accept truth, free enterprise and each other, As a result they spend plenty of time inside prison...

Based on the novel by Alexander Kielland.

Ludvina is considered a woman of loose morals in her small home town. When she becomes pregnant, she decides to raise the child without the help of a man.

Siv Blom is a young impulsive girl with a special ability to come up in extraordinary situations. She also sleepwalks and one day strolling she sleepwalks unsuspecting into the bedroom to the sublime painter 'Picasso'. The art painter comes to admire her naivete, but doesn't have enough time for her. After that Siv stumbles across a new man, a junior manager in the firm Høyland & Høyland. Høyland jr. falls for Miss Blom, but definitely not his mother. Therefore Siv is sent on business to Stockholm and thus she meets man no. 3, the womanizer Victor Wahlin. Who to marry now that Siv has acquired three very eager suitors whom all wants Siv's consent. The stage is set for many intrigues. Who wins?

In "Skadeskutt" we follow the couple Einar and Else Wang in a painful drama about love, happiness, sorrow and eternal damnation. About a couple's struggle trying to get pregnant and the despair of not succeeding. About psychological disorders and the society's insane judging of people with such problems. A nationwide press was impressed with "Skadeskutt". The director Edith Carlmar, one of the first female directors in Norway, was compared with Hitchcock for her work. For actor Carsten Winger, his portrayal of the character in the movie was considered a victory and a big achievement. "A sure success", "Impressive" and "A victory for Norwegian Films" are some lines from the critics. "Skadeskutt" is one of the breakthroughs within Norwegian film making.

Milja, living in Kristiania in the late 1800s, becomes pregnant, but the father of the child, Julius, is not around after the child has been born and Milja decides to adopt it. Milja struggles to live with her decision.