Gary Bolling

A widow tries to influence the local mayoral election in Baltimore, Maryland, after she discovers that a black candidate is being used by the incumbent mayor to further his own reelection efforts.

Sara, a cold college professor, and her husband, an ecstatic painter, spend a summer away from the city, straining their rocky relationship.

HARLEM, USA: in the aftermath of Martin Luther King’s murder, German filmmaker Klaus Wildenhahn turned his 16mm camera on the New Lafayette Theatre as its players rehearsed scenes, ran public workshops and conducted exercises in uptown Manhattan. New Lafayette (or NLT) had been founded by actor-director Robert Macbeth the previous year, with the aim of producing theater for black people, by black people, to reflect the experiences and vernacular of the Harlem community. Within the Black Arts Movement, NLT would become a significant institution: it published the journal Black Theatre, and employed a host of talents – including the Black Panthers’ Minister of Culture, Ed Bullins, and the great pianist Junior Mance, both of whom appear in Wildenhahn’s film as resident collaborators.

Un regard sur les horreurs du ghetto de Harlem, touché par la drogue, la violence, et la misère, ainsi que par le désespoir dû à la ségrégation raciale de la société américaine.

À New York, 4 hommes armés, utilisant des couleurs comme noms, prennent en otage une voiture de métro et demandent une rançon d'un million de dollars pour la libération des passagers. Le lieutenant Zachary Garber de la police du métro de New York doit gérer cette affaire, alors qu'il doit aussi faire visiter le centre de contrôle à des visiteurs du métro de Tokyo.

Cette série met en scène les enquêtes du lieutenant Theo Kojak, élégant policier d'origine grecque au crâne rasé et grand amateur de cigares et de sucettes, dans le treizième district de New York.