Wolfgang Müller

Dilettantishly cruel scenes from the "scene": A skinhead loves a dance girl and dreams of a petty-bourgeois future. When he is deprived of the wages of a robbery by his landlady, an impoverished princess, he kills her. His girlfriend sinks to being a prostitute and is also killed. It all ends in the prison cell with a dream vision of a white wedding in Berlin's Memorial Church. First film shot on Super-8 and blown up to 16mm by Tabea Blumenschein, who became known as a performer in underground films and as a costume designer.

Womanizer and proud Manta driver Manni Kowalski wants to be a musician, like his idol Roy Sanders. When Manni's sister is expecting a child, Manni has an accident and his life is in danger. Does this mean the end of his dream of a career in music?

Clonetown 1974 to 1979: a terrorist defector named Charon sits on the edge of oblivion and commentates on the imminent putrification of an abducted car dealer.

After Roy's demise, five friends try to reconstruct his life by reading through the late editor's notebooks - only to face some very personal demons. The Holy Bunch is a modernist melodrama: beyond-Antonioni in its images, decisively Dreyerian in its spirituality. One of German cinema's few modern (or Modernist) masterpieces.

Suite du premier film "choc" de Jorg Buttgereit, tourné trois ans plus tôt. L'ouverture du long-métrage donne le ton avec le suicide brutal au couteau de cuisine de Robert. Une fois enterré, Robert est emmené, "nettoyé" par Monika une infirmière nécrophile qui hésite constamment entre son amoureux vivant et son amant décédé.

Un portrait des enquêteurs à bord de "L'Albatros". Les côtes d'un pays sont des frontières ouvertes, ouvertes pour le commerce et le tourisme, mais également pour les crimes. Pour maintenir la sécurité sur la mer a été créée la police des frontières fédérale. La douane et d'autres autorités de police se sont unies en une seule police en mer : ils ont tous en communs la garde côtière !