Kenan Ormanlar

Two young prostitutes decide to settle on a farm in the outskirts of an idyllic Bavarian mountain village. Initially, this is a pain in the neck for the village council and the local clergy, but the moral guardians soon reveal themselves to be lacking in steadfast ideals.

During the year of the repressive military regime, a Turkish writer gets disillusioned by the loss of a dear friend and retires to his hometown on a remote island where he feels safe from the political turmoil. There he escapes to the world of memories, having imaginary conversations with his dead friend. However, the news of a new murder alerts him to the dangers lying ahead. Shot in Turkey following the years of military regime, Av Zamani carries autobiographical elements as the director Erden Kiral also had to flee the repressive regime of his country to be an exile in Germany. The weakness of the film is that the director is not able to take enough distance from the events to give the story a more universal appeal. Av Zamani was screened at the Montreal World Film Festival 1988.

Mavi Sürgün is a fictionalized account of one period of the life of a Turkish journalist who was condemned to exile for an article he wrote in 1925. He turned his punishment into a reward by creating a little paradise in what is today the holiday resort, Bodrum. In fact he is considered by some to be the first ecologist. The film concentrates on this latter aspect of his character and through flashbacks portrays the inner turmoil of a man who is trying to come to terms with his past. The slow pace is somewhat of a drawback, the flashbacks are often confusing and the protagonist is not always very convincing. But the photography of the country side is exceptional Kenan Ormanlar and the short appearance by a very theatrical Hanna Schygulla of Fassbinder fame adds a little spice to the drama.

Mavi Sürgün is a fictionalized account of one period of the life of a Turkish journalist who was condemned to exile for an article he wrote in 1925. He turned his punishment into a reward by creating a little paradise in what is today the holiday resort, Bodrum. In fact he is considered by some to be the first ecologist. The film concentrates on this latter aspect of his character and through flashbacks portrays the inner turmoil of a man who is trying to come to terms with his past. The slow pace is somewhat of a drawback, the flashbacks are often confusing and the protagonist is not always very convincing. But the photography of the country side is exceptional Kenan Ormanlar and the short appearance by a very theatrical Hanna Schygulla of Fassbinder fame adds a little spice to the drama.

Mavi Sürgün is a fictionalized account of one period of the life of a Turkish journalist who was condemned to exile for an article he wrote in 1925. He turned his punishment into a reward by creating a little paradise in what is today the holiday resort, Bodrum. In fact he is considered by some to be the first ecologist. The film concentrates on this latter aspect of his character and through flashbacks portrays the inner turmoil of a man who is trying to come to terms with his past. The slow pace is somewhat of a drawback, the flashbacks are often confusing and the protagonist is not always very convincing. But the photography of the country side is exceptional Kenan Ormanlar and the short appearance by a very theatrical Hanna Schygulla of Fassbinder fame adds a little spice to the drama.

This award winning, 1974 film by Yilmaz Güney, the legend of Turkish Cinema, tells the story of Cevher and his family and their daily struggles as seasonal workers in the cotton fields of Southern Turkey. Cevher depends on the family earnings from the fields to pay blood money for a murder one of his relatives committed. ANXIETY documents and criticizes the feudal traditions, corruption and inhumane working conditions, while the workers are coming to terms with the machines that are rapidly modernizing the landscape.

Zelihan and Necmettin, a young couple, live in a small village in the service of an agha. They share their poor "one-eye" room with the agha's ox. In this environment of poverty and loneliness, the agha's brother is determined to seduce Zelihan, whom he has set his eyes on.

The Dumpster Kid is an artistic creation: in every story society forces her to learn something. But she, fully grown from the moment of her birth, unquestionably learns more than is called for. This extra knowledge, which is not wanted by society, regularly brings her into danger. Dumpster Kid dies in each story, and across each genre. Her stories are set in a whole range of different time periods. What is a Dumpster Kid?

A father and son come to grips with external hardships and their own human frailties as they attempt to earn enough money to send the boy to school.

An urban Turkish teacher is transferred for political reasons to a backward Kurdish village in the mountains near the Iranian border. He is welcomed with distrust, but during that harsh year the mutual cultural misunderstandings fade away.

Ali is 18. His feet are firmly off the ground. The very idea of marriage seems like a game. But the bride's parents are ready and willing. Business ventures will be set up between the families; the arrangement will pay off all round. Ali, meanwhile, is more interested in playing with puppets and dressing up as a rooster for the travelling theatre. His fiancée has only so much patience... So what should his parents do? What was that? Hire a Borrowed Bride? Meaning exactly what? Well just that: borrow a bride, as the title of the film suggests......