Omar Franco

Directed mainly for kids, the film speaks of a Havana that reveals two distinct faces, from the everyday life of a couple of kids.

A car accident. The victim is Nelsito, a 16-year-old autistic teenager, who has runaway from home. From his stretchter and through his imaginary pen, Nelsito reveals the dark and hidden side of all those around him: perverse children, murderous women, adorable swindling girls... Until he recovers...

Dans un village cubain, une nouvelle se répand comme une trainée de poudre : tous ceux qui portent le nom de Castiñeiras recevront un héritage juteux que des religieuses ont déposé dans une banque anglaise au XVIIIème siècle. Tous les Castiñeiras commencent à faire les démarches pour toucher leur part, mais ils rencontreront beaucoup d'obstacles sur leur chemin.

Superheroes play a leading role in many contemporary films, and Latin American animated films are not left out of this. This is evident in La Súper, the colorful first feature-length film by veteran Cuban animation filmmaker Ernesto Piña. Yudeisi is a young woman whose fight for justice makes her the chosen one for a series of superpowers. These do not come from technology or experiments, but from an aboriginal warrior who freed the inhabitants of her village 500 years ago and whose spirit resurfaces to fight for good. Yudeisi as a new defender uses her qualities to defend women from male violence.

Three stories, loosely inspired on short stories from classic Boccaccio’s Decameron, are connected by a creatively-bankrupt writer who offers money in exchange for original subjects.

Celeste García, a 60-year-old former schoolteacher and current guide at the Havana Planetarium, is looking for a life change. When a group of aliens land in Cuba offering earthlings a chance to visit their planet, Celeste signs up for the journey hoping for a better and more fulfilling life.