Merdelle Jordine

Frankie Dymon's Death May be Your Santa Claus (1969), arguably Britain's first and only example of a 'black power' movie, in which themes of sexual and political identity encircle one another in the context of a hip and hippy London of the late 1960s, suspended between the cinematic radicalisms of films such as Roeg's Performance, Godard's Sympathy for the Devil in which Dymon played a leading role, or Boorman's Leo the Last. Thought lost until quite recently, this inscrutably-titled film is described as a 'pop fantasy' and offers an intriguing look at 60s sex and politics from a black British perspective.

Essai visuel sur la place de la femme et du spectateur au Cinéma. Deuxième collaboration entre Laura Mulvey et Peter Wollen, deux figures séminales de la pensée du cinéma, Riddles of the Sphinx explore la représentation de la femme, la place de la maternité dans la société et la relation mère-fille. Composé de plusieurs sections distinctes, la plupart filmées en plans séquences circulaires, le film se déroule dans plusieurs lieux domestiques et publics.

Un ancien policier apprend, après une cure de désintoxication pour alcoolisme, que son ex-femme et sa fille ont été enlevées par des gangsters.

Barry McKenzie's Aunt Edna is kidnapped by Count Von Plasma, the vampire head of an isolated Eastern European dictatorship who mistakes her for the Queen of England and thinks that kidnapping her will draw tourists to his country. Barry and his mates set out to rescue her and bring her back to Australia.

Jack Regan, an unethical officer of the Flying Squad, uses unorthodox methods to pursue criminals with the help of his partner, George Carter.

A black policeman is promoted to the CID and battles the drug trade in London's East End.

Classic sitcom starring Eric Sykes and Hattie Jacques as brother and sister twins who have to tackle the trials and tribulations of suburban life.