Imre Toronyi

A simple, religious Hungarian woodcutter lives with his wife and boy child with a small community of squatters among the peaceful mountains of Transylvania until a lumber company claims their land and forces them all to become company workers or else leave the land. This 1942 Hungarian film takes a detailed and unflinching look at the hardships of mountain living, and the realistic approach proved influential to the Neorealist movement in Italian cinema. Hungarian master director Istvan Szots won the Biennale Cup at the Venice Film Festival for his auspicious debut, but the film was banned by the Nazis as "too Catholic" and not publicly exhibited until after World War II.

Count Vághelyi Gusztáv is now a member of the Carthusan order. He has to be there at her ex-sweetheart's, Betti's deathbed. Longing for penitence, he recalls his life so far.

Venice Film Festival 1940

Dressed as a gypsy woman, Krisztinka Oltay spies, organizes, and takes measures to help Prince Rákóczi and free his lover, Péter Szakmáry. Péter was taken in by his brother, who was loyal to the emperor, and he wants to execute him in Kassa together with the other Kurucs. Krisztinka inspires the tired kuruc troops with a song and Rákóczi's music to capture Kassa and free the prisoners...