Marcel Duchamp

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Entr'acte
6.956

Entr'acte

Dec 04, 1924
Un singe, des toits, des colonnades, une partie d'échec entre Marcel Duchamp et Man Ray, Picabia et Eric Satie utilisant un canon, une danseuse, un chasseur… Dans Entr'acte, le cinéaste René Clair met Paris sens dessus dessous au rythme de la musique d'Erik Satie.
Comédie
Witch's Cradle
6.6

Witch's Cradle

Jan 01, 1944
The surrealist film shows repetitive imagery involving a string fashioned in a bizarre, almost spiderweb-like pattern over the hands of several individuals, most notably an unnamed young woman and an elderly gentleman. The film also shows a shadowy darkness and people filmed at odd angles, an exposed human heart, and other occult symbols and ritualistic imagery which evokes an unsettling and dream-like aura. Considered an unfinished film.
Fantastique
Europe After the Rain
3.5

Europe After the Rain

Jan 01, 1978
Dada came out of the craziness of World War One. "The birth of Dada was not the beginning of art but of disgust." Surrealism tried to systematize Dada's anarchy into an artistic blend of Freudian psychoanalysis and Marxist provocation. In the interests of conquering the irrational, Salvador Dali opened exhibitions dressed in a diving suit, Marcel Duchamp turned himself into woman, Benjamin Peret assaulted priests, and Yves Tanguy ate spiders. Andre Breton, nicknamed "the Pope of Surrealism", led an inspired gang of artists, lunatics and writers. By the 1950s they were denouncing each other for betraying the movement, but their ideas had infected Hollywood, advertising agencies and were turning up as TV humor and album covers.
Paris: The Luminous Years
5
A storm of Modernism swept through the art worlds of the West in the early decades of the twentieth century, uprooting centuries of tradition. The epicenter of this storm was Paris, France. For an incandescent moment from 1905 to 1930, Paris was the magnetic center for radical innovation and experiment, and the Mecca for creative talents who would change the course of art throughout the Western world.
Documentary
8 x 8: A Chess-Sonata in 8 Movements
5.9
8 x 8: A Chess-Sonata in 8 Movements is an American experimental film directed by Hans Richter, Marcel Duchamp, and Jean Cocteau. Described by Richter as "part Freud, part Lewis Carroll" and filmed partially on the lawn of Duchamp's summer house in Southbury, Connecticut.
Fantasy
A Conversation with Marcel Duchamp
1
Filmed amidst the Arensberg collection at the Philadelphia Museum of Art, where 35 works by Marcel Duchamp are gathered, this 1956 NBC interview features the artist talking with James Johnson Sweeney, former director of the Guggenheim Museum. Duchamp describes his transition away from Impressionism toward a Cubist, and then post-Cubist, approach, providing commentary while standing before Nude Descending a Staircase
Dadascope
7.4

Dadascope

Jan 01, 1961
Free-associative images are juxtaposed with disorienting poetry in Richter's late work. The film is visual dynamite: Upside-down and reversed footage, play with shadows and light, billiards and dice and balloons-- suggestive and surreal images. Tenets of Dada writing, such as games of chance, punnery, wordplay and loud nonsense noise are foist upon the viewer as Dada poems are read / performed by their orignal authors.
Dada
1

Dada

Oct 01, 1969
1967 film directed by Greta Deseson about the Dada art movement. Featuring Marcel Duchamp, Man Ray, Max Ernst, Hans Richter and Gabrièle Buffet-Picabia
Documentary
Grettur
1

Grettur

Jan 01, 1967
Produced over several years between 1962 and 1967, Grimaces shows the faces of over a hundred artists, gallery owners and critics grimacing to the camera.
Lafayette, We Come
1

Lafayette, We Come

Nov 02, 1918
Leroy Trenchard loves Therese Verneuil, and when Leroy enters the army goes to France to fight, Therese follows as a Red Cross nurse. But suspicion arises that Therese is actually Princess Sonia, a German spy.
Romance
Merce by Merce by Paik
6.5
Merce by Merce by Paik is a two-part tribute to choreographer Merce Cunningham and artist Marcel Duchamp. The first section, “Blue Studio: Five Segments”, is a work of video-dance produced by Merce Cunningham and videomaker Charles Atlas. The second part, produced by Paik and Shigeko Kubota, further queries the relationship between everyday gestures and formal notions of dance.
Screen Test [ST80]: Marcel Duchamp
1
Marcel Duchamp alternates between scrutinizing the camera, and smiling and nodding in response to what seems to be a large crowd of off-screen admirers trying to get his attention. Occasionally he puts his fingers to his lips, indicating that he is not supposed to talk.
Documentary
Marcel Duchamp: L'art du possible
1
Portrait de l’un des plus grands artistes français du début du XXe siècle depuis ses débuts où il publiait des dessins humoristiques dans la presse jusqu'à sa reconnaissance lorsqu'il s’est installé aux Etats-Unis. Inventeur des «ready-mades», objets usuels promus œuvres d'art, le peintre, plasticien et dessinateur Marcel Duchamp s’est inspiré des sciences et notamment des mathématiques pour réaliser ses créations à l’image de «Trois stoppages étalon». Sa composition «Nu descendant un escalier» (1912) provoqua un scandale retentissant à Paris et à New York. Ce tableau fut même refusé au Salon des indépendants à Paris.
Documentary
Andy Warhol Screen Tests
8
The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.
Documentary
Duchamp, la baronne et le mystère de l'urinoir
1
En 1917, un simple urinoir baptisé "Fontaine" est proposé par Marcel Duchamp au Salon des artistes indépendants. Jugée vulgaire, l’oeuvre est refusée et Duchamp claque la porte du Salon... De Paris à New York en passant par Berlin, ce documentaire mène l’enquête sur l’histoire de l’oeuvre et nous entraîne sur les traces de la fantasque "baronne dada" Elsa von Freytag-Loringhoven. De Paris à New York en passant par Berlin, ce documentaire mène l’enquête sur l’histoire de l’œuvre et nous entraîne sur les traces de la fantasque "baronne dada" Elsa von Freytag-Loringhoven (1874-1927). Sculptrice, poétesse et modèle, celle qui fut l’égérie du mouvement dada aux États-Unis a mené une vie de bohème, enchaînant provocations et scandales… Nourrie de riches archives et d’éclairages d’experts (conservateurs, chercheurs, historiens de l’art…), la redécouverte d’une œuvre radicale et mythique, doublée du portrait d’une artiste au destin tragique, injustement oubliée.
Documentary
Passionate Pastime
1

Passionate Pastime

Jan 01, 1958
Hans Richter's documentary on the game of chess. Narrated by Vincent Price. Outlines the history of chess from ancient times to the present and traces its origins in India, China, and Persia. Prints, painting, illuminated manuscripts, live photography and rare chess pieces are shown as well as chess figures designed after Picasso and Braque.
Documentary
Anémic cinéma
6.179

Anémic cinéma

Jan 01, 1926
A spiral design spins. It's replaced by a spinning disk. These two continue in perfect alternation until the end: a spiral design, a disk. Each disk is labelled and can be read as it rotates. The messages, in French, feature puns and whimsical rhymes and alliteration. The final message comments on the spiral motif itself.
Drama
Anémic cinéma
6.179

Anémic cinéma

Jan 01, 1926
A spiral design spins. It's replaced by a spinning disk. These two continue in perfect alternation until the end: a spiral design, a disk. Each disk is labelled and can be read as it rotates. The messages, in French, feature puns and whimsical rhymes and alliteration. The final message comments on the spiral motif itself.
Drama
8 x 8: A Chess-Sonata in 8 Movements
5.9
8 x 8: A Chess-Sonata in 8 Movements is an American experimental film directed by Hans Richter, Marcel Duchamp, and Jean Cocteau. Described by Richter as "part Freud, part Lewis Carroll" and filmed partially on the lawn of Duchamp's summer house in Southbury, Connecticut.
Fantasy
Dadascope
7.4

Dadascope

Jan 01, 1961
Free-associative images are juxtaposed with disorienting poetry in Richter's late work. The film is visual dynamite: Upside-down and reversed footage, play with shadows and light, billiards and dice and balloons-- suggestive and surreal images. Tenets of Dada writing, such as games of chance, punnery, wordplay and loud nonsense noise are foist upon the viewer as Dada poems are read / performed by their orignal authors.
Dreams That Money Can Buy
6.2
An attempt to bring the work of surrealist artists to a wider public. The plot is that of an average Joe who can conjure up dreams that will improve his customer's lives. This frame story serves as a link between several avant-garde sequences created by leading visual artists of their day, most of whom were emigres to the US during WWII.
Drama
Il cinema delle avanguardie 1923 - 1930
1
Thematic anthology of : Le retour a la Maison (1923) by Man Ray; Emak-Bakia (1926) by Man Ray; L'Etoile de Mer (1928) by Man Ray; Les Mysteres Du Chateau de Dé (1929) by Man Ray; Rhythmus 21 (1921) by Hans Richter; Vormittagsspuk (1928) by Hans Richter; Anemic Cinema (1926) by Marcel Duchamp; Ballet Mecanique (1924) by Fernand Léger; Le Tempestaire (1947) by Jean Epstein; Romance Sentimentale (1930) by Grigori Aleksandrov and Sergei M. Eisenstein; La Coquille et le Clergyman (1928) by Germaine Dulac; Regen (Rain) (1929) by Joris Ivens and Mannus Franken
Drama