Renato Prieto

Lorsqu'il ouvre ses yeux, André Luiz sait qu'il n'est plus en vie. Il se rend compte qui n'appartient plus au monde des incarnés car il ne sent plus la faim, la soif, le froid. Autour de lui, une sombre plaine, déserte, ténébreuse, marquée par des cris et des êtres qui vivent dans l'ombre. Les doutes et la douleur s'intensifient. Quel est son destin ? Nosso Lar nous amène à suivre la trajectoire d'un médecin de succès dans le monde spirituel. Après avoir subi ces zones de purgation, André Luiz est emmené à la ville se nommant Nosso Lar. De nouveaux enseignements et connaissances, encore marqué par des moments de douleur et de souffrance, sont dans le chemin de cet homme, tout en apprenant ce qu'est la vie dans une autre dimension, qui aspire également à revenir sur Terre pour voir sa famille. Un film que beaucoup vont aimer et apprécier.

A group of messenger spirits led by Aniceto, including doctor André Luiz, are tasked with going to Earth to help rescue three proteges whose interconnected stories are about to fail.

Biographical film of Sister Dulce, who, in life, was called the “Good Angel of Bahia”, also nominated for the Nobel Peace Prize and canonized by the Catholic Church. Contemplating from the 1940s to the 1980s, the film shows how the Catholic nun faced an incurable respiratory disease, machismo, the indifference of politicians and even the dogmas of the Church to dedicate her life to the care of the miserable, leaving a legacy that continues today.

The film follows the life of the doctor Menezes (Carlos Vereza), known as the doctor of the poor.

Monarchists and Republicans confront themselves in Araruna, a small town in the interior of São Paulo, in 1886, two years before the promulgation of the Golden Law. Sinhá Moça's love story, daughter of Colonel Ferreira, Baron de Araruna, and a slave-boy, with the young Dr. Rodolfo, an active Republican abolitionist, faced with the difficulties of the campaign for the abolition of slaves. The two meet on the train, when Sinhá Moça, after completing her studies in the provincial capital, returns to Araruna. Like Rodolfo, she has abolitionist ideas and criticizes her father's attitudes, fighting for the defense of blacks. Sinhá Moça, together with Rodolfo and other abolitionists, invade the slave quarters at night and liberate the blacks, giving them to the abolitionist associations, which guide them towards freedom.