Dan Barnett

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An Eye for an Eye
1

An Eye for an Eye

Sep 18, 2004
Joseph, a young gay male, finds himself the random target of a hate crime and is severely beaten. He retreats into his own world and loses all faith upon hearing that he has permanently lost sight in one eye. In a loving, albeit misguided attempt to help him reclaim his life, Joseph's mother Rachel and best friend Derrick present him with a very unexpected present for his birthday, a face-to-face encounter with his attacker and a chance for revenge.
Drama
Planete des requins
3.6

Planete des requins

Jul 27, 2016
Dans un avenir proche, la fonte des glaciers a couvert 98% de la superficie de la terre. Les requins ont prospéré et maintenant dominer la planète, fonctionnant comme une école dirigée par un énorme requin alpha muté.
Action
Operation Brothers
6.8

Operation Brothers

Jul 28, 2019
Début des années 1980, le Mossad dirige une opération secrète. Avec une équipe d'agents des services spéciaux israéliens, des juifs d'Ethiopie, pérsécutés au Soudan après avoir fui la famine et la guerre civile dans leur pays, gagnent Israël par le biais d'une station touristique l' "Arous Holiday Village".
Drama
Departure
1

Departure

Jan 01, 1991
DEPARTURE is a film that was shot in 1976-77 during a year when I lost my job due to both cutbacks at the campus at which I taught and my involvement in the movement against them. I collected footage and imagined I would edit the film together the night I left. I was unable to do this and it took several years to finish it.
The Chinese Typewriter
1
The Chinese Typewriter is about education and language, and the way a society is shaped by them. Exemplifies the politically committed film that defies the strict rubric of avant-garde. Barnett seems less interested in challenging traditional form than in exploding his own occidental vision. -- Gregory Solman
Documentary
White Heart
5.6

White Heart

Oct 01, 1975
Legendary among filmmakers who have witnessed it, White Heart is a symphonic exploration of cinematic meaning that unfolds through a multi-layered, contrapuntal audio-visual montage of numerous and disparate ingredients: images of city streets, verdant forests, and ocean waves; bits of film leader and editor’s marks; oblique footage of Barnett’s colleagues Larry Gottheim and Saul Levine; an interview with two young missionaries; the sounds of classical music, typewriters, video tone, and, most centrally, a brief passage from Ludwig Wittgenstein’s Philosophical Investigations. These elements and more emerge and re-emerge like musical motifs, continuously and meticulously altered through processes like bleaching, staining, and multiple print generation, dramatically extracting the formal particularities of the Kodachrome reversal print.
Endless
1

Endless

Dec 26, 1990
Although constructed from thousands of still images of Chicago, ENDLESS maintains a complex relationship to the photographic image. Time and space seem to compress or implode into a contradictory experience - one which is fluid, yet static, sculptural, yet two-dimensional, of the present yet of the past. The images are layered vertically, 'endless' variations of time and space unable to be contained within the fixed boundaries of the film frame.
Dead End, Dead End
1

Dead End, Dead End

Nov 30, 1981
"Untoward Ends, along with Dead End, Dead End and Endless are a kind of cross between diaries and structural films and span the main part of my career working in 16mm. These were not happy years for me and they are not happy films. They were all conceived as silent films and I was very consciously working out my ideas about visual rhythm and visual/musical form. When I had them transferred to digital I had the opportunity to see how they would work as sound films - How hard would it be to compose musical tracks for them that would complement their spirit without detracting from their purity as silent film compositions? I had lots of fun in the process and have learned a great deal from them about the interaction between the two modalities as kinds of musical expression. I will leave it to others to decide if they are successful or not." -DB
An Anagram
1

An Anagram

Jun 01, 2003
The film I made from Gary Henoch and Harlow Robinson’s footage, An Anagram is not a documentary at all, but rather a poetic essay on the impact of the sudden collapse of a belief system on a culture. It has a 17 part quasi-musical structure inspired by Dmitri Shostakovich's Preludes and Fugues that at times ignores the literal meaning of certain interviews for the fragrant affect of the language and body language; that is, certain interactions are left un-translated so that the viewer is given full and unfettered access to the musical spirit that animates the arguments and quarrels caught so delicately in the sound and images. - Daniel Barnett
Science Without Substance
3
Science Without Substance follows a hapless band of the lost through a shifting landscape as they try to figure out WHAT’S GOING ON? Movie #1 in the Sweet Dreamers Trilogy.
A Full Life
1

A Full Life

Jan 03, 2021
A Full Life is the sequel to the 1968 3 min silent film: "Anticipation of a Full Life" which was actually the first roll of film that I ran through my new 16mm bolex . "A Full Life" is also the first silent film I've made in more than 30 years. –Dan Barnett