Jordi Llovet

Seville, 1977. At a time when homosexuality is a crime, Reme, a traditional mother moved by the love of her son, an adolescent aspiring artist, will become involved in the Andalusian LGBTQ+ movement, paradoxically born in the bosom of the Church.

On his first weekend parole alfer five years in prison, Mark Rodriguez witnesses the armed robbery of a security van. His brothers critical situation and his own feelings of remorse will lead him to take desperate measures. His only help will be a young and attractive stripper he met the night before.

Après avoir perdu la vue dans un accident de voiture qui a coûté la vie à ses parents, Gina est devenue totalement dépendante de James – une dépendance qui semble nourrir leur amour passionnel. Jusqu’au jour où la jeune femme recouvre partiellement la vue grâce à une greffe de la cornée. Soudain, elle découvre le monde et affirme une volonté d’indépendance qui déstabilise profondément James. Le couple résistera-t-il à ce nouvel équilibre ?

Last days of the great catalan president Lluis Companys.

El Mort Viu portraits the Gifra family: the father, Joan, unmotivated and unemployed, a passionate follower of Saint Rabuci; Marc, the ever-angry older brother, a hard-working yet embittered man who has taken the reigns of the family; and the problematic younger son Llàtzer, a NEET parasite that feeds on the decline of his family and the birth of a monster settling in a very peculiar town, between dramedy and fantasy, through the filter of Spanish tradition of very dark humor.