Jorge Díez

A 43-year-old teacher and his 14-year-old student embark on a forbidden trip.

A butterfly, a creature symbolising rebirth and a new beginning, epitomises Romina’s and Germán’s world, a world that consists of two parallel realities. In one of them they grow up as siblings who desire each other and try to give shape to their love without sexual fulfilment; in the other they are a young man and woman who form an awkward friendship instead of succumbing to their feelings for each other. Germán finds himself in a discordant relationship with Mariela. Mariela’s brother is interested in Bruno. Bruno is with Romina, but wants to be with Germán. Playfully alternating between these two realities, the lovers find themselves drawn into ever new couplings in order to explore their intuitive feelings – cautiously, but at the same time prepared to lose everything.

A woman wants to have a child and her husband doesn't, so she has an affair with a mechanic to get pregnant.

Does someone remember that project of López Rega’s which, in 1975, thought up the construction of a Great Homeland Altar where all mythical figures of Argentine history could be in the same building? From San Martín to Perón on his pinto horse. From the Billiken stamps of our childhood to Libertad Leblanc’s tits of our teenage years. All clichés of Argentine-ness gathered under one roof. But the construction delays. Workers entertain themselves with their own masturbatory drives. Or is it that Argentina is an impossibie construction? Always about to begin. always displaying great projects, great plans that never come to fruition. A second-rate country that hides its fundamental vacuity behind monuments. in Acha’s cinema, second-rateness is exposed, shown in all its lying pomposity.

Posthumous film by Jorge Acha, whose narrative axis focuses on the journey undertaken by Alexander von Humboldt and Aimée Bonpland along with three indigenous people in the Orinoco basin and which will be told in the book by the German botanist entitled Viaje a los equinocciales del Ecuador. The male body is seen as a locus onto which social aggression is reflected and accumulated.Bodies that are virile and youthful yet tragically powerless.

Experimental short film that shows four days in the life of a man clandestinely kept in captivity. The images of his naked body alternate with those of a happy moment on a beach and with those of his captor, who spends his time looking at bodybuilding magazines.