Alberto Velasco

A group of actors in Madrid are cast in a theatre show conceived as a dance marathon and as an unscripted competition. ‘Malditos’ follows their drifting between success, failure, fame and self-realization, interweaving non-fiction interventions and staged representations, constantly blurring the boundaries between fiction and reality.

D'abord décontenancée par la famille éclectique de la petite amie de son fils, Lucía est loin d'imaginer l'impact qu'auront ces gens sur sa vie bien rangée.

Inés a vécu le rêve américain à Miami pendant 10 ans, mais quand elle se fait attraper alors qu'elle trompe sa petite amie, son monde s'écroule. Pour la première fois depuis des années, Inés se demande ce qu'elle veut dans la vie et se rend compte qu'il est temps de rentrer en Espagne.

The most painful loss of Victoria will be the thread of her revenge in an action short that puts violence between men and women on the table from a prism totally opposite to reality. Is the crime a revenge or a victory?

Castilla. 1995. Victor is ten years old and loves popular folklore. You know what it means that what you like best in the world (dancing) is what hurts you the most. His mother works tirelessly and also cares day and night for a stepfather who is bedridden but with a very lively, sharp and hurtful tongue every time Victor appears through the door. When Victor dances, he transforms, laughs, dreams, escapes from the reality he has at home. What he could never imagine is that the same violence he received would be his own salvation.

Carlota has an open war with the caretaker of her community, Candela, whom she considers a person at risk. Carlota did not always know that HIV does not understand social status, gender or sexual orientation, she had to learn it by having it closer than she could ever have imagined.

Carlota has an open war with the caretaker of her community, Candela, whom she considers a person at risk. Carlota did not always know that HIV does not understand social status, gender or sexual orientation, she had to learn it by having it closer than she could ever have imagined.

Condamnée pour avoir endossé la responsabilité d'une fraude par amour pour son patron, la jeune Macarena Ferreiro se retrouve incarcérée dans une prison pour femmes de haute sécurité, entourée de criminelles coriaces et impitoyables dans ce thriller espagnol sous tension et provocateur.

Mayte, Lourdes, Virginia et Amparo sont quatre mères de famille isolées qui, unies par un crime accidentel qu'elles vont commettre, vont devoir préserver leur secret à tout prix...

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.