Sarah Daykin

Carole Mackay is an unashamedly outspoken and wealthy entrepreneur. Her online business selling all things festive has earned her a fortune, as well as the nickname 'Christmas Carole'. But her success hasn't made her a better human being. In fact, it's made her worse. The truth is that Carole is a monumentally mean person. Positively Scrooge-like. And, just like Ebeneezer, she doesn't love Christmas at all. But this Christmas Eve, Carole's past, present and future are about to collide. Will some rather familiar Christmas spirits help her discover the true spirit of Christmas?

When Tom and Ellen are together, things seem to work. It's only in the spaces outside the relationship - the intrusions of real life, and the deadly collaboration of parents, siblings, friends and exes - that the flailing attempts to make good first impressions, arrange first dates and hold a relationship together, seem to unravel.

Un DJ raté qui tente de relancer sa carrière accepte de jouer les nounous pour la fille rebelle de son meilleur ami superstar.

Mise en abyme hilarante et intense, Fleabag nous fait vibrer à travers l'esprit d'une femme colérique, pince- sans-rire, criblée de chagrin, de soucis et sexuellement instable qui se jette à corps perdu dans la vie moderne londonienne. Récompensée pour son travail, Phoebe Waller-Bridge réalise et joue le rôle principal de Fleabag, une femme indépendante, provocatrice et sans filtres.

It's the First World War. Our nation's heroes are fighting the good fight on foreign soil, but in one sleepy English village three young men remain: George is a conscientious objector, Cecil has flat feet and Bert really is a coward, unfortunately. They don't fight on the front line, but they do fight each other.