Gill Eatherley
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Le déjeuner sur l’herbe is simultaneously perceived from four different camera positions in a work which engages with the pro-filmic in order to question documentation, illusion and the film viewing process.
Like a Fox
Jan 01, 1988Based on life in the Southern French countryside around the effects of the Chernobyl nuclear disaster. Made as part of Malcolm Le Grice's video series Sketches for a Sensual Philosophy.
Chair Film
Jan 01, 1972Chair Film by Gill Eatherley is a three-screen presentation of an optically-printed filmic rumination on that mundane, brilliant invention, the chair.
Chair Film
Jan 01, 1972Chair Film by Gill Eatherley is a three-screen presentation of an optically-printed filmic rumination on that mundane, brilliant invention, the chair.
Deck
Jan 02, 1971During a voyage by boat to Finland, the camera records three minutes of black and white 8mm film of a woman sitting on a bridge. The preoccupation of the film is with the base and with the transformation of this material, which was first refilmed on a screen where it was projected by multiple projectors at different speeds and then secondly amplified with colour filters, using positive and negative elements and superimposition on the London Co-op’s optical printer.
Aperture Sweep
Jan 01, 1973
Pan Film
Jan 01, 1972"Pan Film is an extremely simple, short film in two and three screen versions, composed of a number of short, slow pans across a room, past a partially open window that gives only a glimpse of the trees outside."
Hand Grenade
Jan 02, 1971
Lens Hand Foot
Jan 01, 1973Lens Hand Foot is part of the Light Occupations series, in which Gill Eatherley performs simple investigations of the filmic equipment, particularly the camera and the projector, in short films that are each three minutes in length – corresponding to the length of a 100-foot roll of film. In films like this one, she explores the relationship of her own body to the filmmaking apparatus, playfully attempting to overcome the unbridgeable distance between them.
Lens and Mirror Film
Jan 01, 1973Lens and Mirror Film is part of the Light Occupations series, in which Gill Eatherley performs simple investigations of the filmic equipment, particularly the camera and the projector, in short films that are each three minutes in length – corresponding to the length of a 100-foot roll of film.
