Ejla Bavčić

Arman is about to turn 18. He was adopted as a baby by Jasna and Senad, who were unable to have children of their own. However, four years after the adoption, Jasna gives birth to Dado. Throughout his life, Arman has had a hard time coping with being an adopted child. Full of explosive energy, he constantly gets in trouble together with his schoolmates. Despite being very intelligent, he is labelled as a problem child. The only place he feels safe and loved is with Jasna’s parents. At the same time, Arman does all he can to save Dado from self-destructing. However, despite everything he does to support his brother, his parents interpret Arman’s involvement incorrectly, and blame him for every trouble with Dado.

After the war, two friends are together again. Every year they buy one pair of new shoes.

In the summer of 1993, a group of Bosnian refugees flee to Sweden due to the war in Bosnia. The Swedish Red Cross places refugees in a pavilion for migrants. Among them is the middle-aged married couple, Dervish and Adem. Dervish meets the Swede Ingrid in the pavilion and despite the language barrier, the two become good friends. Then, Dervish finds out that Ingrid is seriously ill...

A film that allows the main character Aleksandar Jovanović, an ordinary con man from Sarajevo, to be what he always wanted to be.

The story of a boy from the orphanage for abandoned children who tried to find out the truth about his origins. Through the story of a boy Alen, it describes the consequences of war casualties and immense injustice that war brought most helpless, the children.

Riki works for a struggling catering company. Ado, his misogynistic colleague and brother-in-law, wants to fix the business by beating up Melisa, a former co-worker who is a top cake-maker, to force her to work with them again. All the rest of the employees dismiss Ado's plan as stupid and senseless. However, Ado is a stubborn savage, and his colleagues know he won't give up unless he is stopped. Riki is divided between a sense of justice, and the norms through which we tolerate family and friends no matter what they do.

Story about a forty-something Sarajevo taxi driver named Fudo (Saša Petrović) who decides to take control of his own destiny. Fudo doesn't earn much, so he supplements his income by offering tips to the local criminal syndicate and turning a blind eye to their nefarious dealings. One day, after offering a particularly bad bit of advice to a violent gangster, Fudo is badly beaten. When Fudo's wife Azra (Daria Lorenci) discovers what has happened, she decides to take the couple's infant son and move out. Now determined to win his wife back and restore peace in the home, Fudo decides to go straight. But cleaning up his act isn't going to be easy, because after borrowing enough cash from black market dealer Sejo (Emir Hadžihafizbegović) to purchase a van and then refusing to aid him in any underhanded dealings, the only person willing to cut him any slack is the sympathetic Azra.

Armin has been unemployed for a long time, and in desperately need of a job. His wife Jasmina is pregnant, and his son Edin has behavioral problems at school.

La guerre fait rage en Bosnie. Dans la campagne, les parents d'Adis et de Kerim, sourd-muet, sont abattus par des miliciens serbes. Les deux enfants réussissent à s'échapper. A Sarajevo, alors que sa femme et sa fille sont évacuées, le poète Hamza ne se résout pas à quitter la ville en partie détruite par les obus serbes. Lorsqu'il découvre chez lui Karim et Adis, entrés en son absence, il veut d'abord les renvoyer, puis se décide à les accompagner dans la recherche de leur tante. Recherche vaine : celle-ci, blessée lors du bombardement de sa maison, a été envoyée en Allemagne. Hamza s'occupera donc des deux frères...

Dans une zone de guerre urbaine où tout ce qui bouge est une cible, Paul tente de vivre, d'aimer et d'informer : Après le Liban, Paul Marchand durant 18 mois, fut grand reporter pour toutes les radios francophones durant le siège de Sarajevo. Une chronique que bon nombre de journalistes de cette « génération Sarajevo » évoquent encore comme leurs plus belles années.

Portraits of two sisters that meet after five years of not speaking due to a turbulent family situation