Maja Boh-Hočevar

Pianist Mojca is afraid to get into deeper relationship with her partner Tomaž due to her fear of pain. It takes place at a point where a long-standing relationship between the two needs a new step in either direction. And as in life, so in film, life takes an unexpected path and gives Mojca a series of experiences that help her move forward.

Three years later, Tomaz meets Milena in Ljubljana where she practices dancing. In order to spend more time with her, Tomaz enrolls at the dance club where he finds many new friends. As the club is faced with close-down, the members decide to save it by setting up a dance show for the urban elite.

The movie based upon the classical Slovene novel Martin Kačur, depicts the clash between the teacher Martin Kačur and his conservative environment. Due to his progressive ideas, he is transferred to a small town. The village environment is even more depressing than his former surroundings were, as the influence of both the secular and the Church authorities is even greater in the country. Even though Martin meets Tončka and the two of them get married, he gradually becomes a disillusioned and embittered man. In time, when society's strictures become somewhat milder, Martin is transferred to a more friendly environment, but all the injustices he has experienced have already bitten too deep. Unlike his wife, Martin finds it very difficult to accept changes. When his son dies, it seems as though he has lost all his elan and the will to live. Will he be able to go on bringing the light of knowledge to the ignorant masses, or will his ideals be buried forever like a man in a snowdrift?

The life of a man who dared to unfold the corruption and mismanagement in his factory takes a wrong turn as his marriage ends, his lover leaves him and he finds himself in a psychiatric hospital. After completing his stay in this mental institution, the gates of the factory are now closed for him. Will he be forced to apologize, or blood must be shed?

By a twist of fate, Damjan is mistaken for a murderer who was prowling the streets of Ljubljana in the same neighbourhood. Because of his naive, friendly approach and helpfulness, his wife walks out on him and the police have doubts about his sanity. Is Damjan really losing his memory like his father did before him? And does purity of mind and spirit necessarily lead to a person's downfall? Will Damjan, who is mysteriously attracted and connected to the cinema and who finds himself drawn into a case of mistaken identity (just like in the movies) succeed in setting his life in order in spite of the mix-up and in finding the right companion for himself?